The boy, an obsessive, relentless roadside Romeo, having chased the girl from the streets of Mumbai to Mallu-land, finally holds her, jolts her up, pops the winning question... Mayank Shekhar writes...

A Gothic haunted-house tale, The Woman in Black retreads the often-travelled ground of the 1960s horror flicks produced by the estimable Hammer studios, writes Rashid Irani.

Safe House is packed with high-octave chases, brutal punch-ups and a commanding performance by Denzel Washington, Rashid Irani writes.

The title is titillating alright. And A Good Old-Fashioned Orgy isn't afraid to go into a few outrageous places, Rashid Irani writes.

The narrator, who’s also the hero, suggests there are three kinds of kids in the world: “chamche”, who suck up to their parents; the rebellious sorts, who take them head-on; and the smart ones, who do what they like, and their parents never know.

Close on the heels of the 3D animated romp The Adventures of Tintin, here's another crowd-pleaser from the box office supremo Steven Spielberg. An old-fashioned, inspirational saga, War Horse tells the story of a young farm hand (Irvine) who develops...

It's only the second week of February but it seems unlikely that we'll see a worse film in 2012 than this teen-oriented drivel. Rashid Irani writes.

As the title indicates, this tepid thriller does indeed feature a man on a ledge for almost the entire running time of 100 minutes. Rashid Irani writes.

Disappointing both on its terms and as an adaptation of Jules Verne's 1874 novel, this obligatory sequel to Journey to the Center of the Earth (2008) falls flat despite the domination of 3D effects. Rashid Irani writes.

The debutant director is an unapologetic devotee of Bollywood's old-world scale and melodrama that few get right. An earnest Vijay Dinanath Chauhan delivers poetic justice before a nearly packed hall on the proverbial 'first day first show'. Mayank Shekhar writes.