Deepika and Ranbir look cheerful in this second poster of Yeh Jawaani Hai Deewani with colours splashed all over them.
Do you know what ex-flames Ranbir Kapoor and Deepika Padukone are upto these days? The duo are busy shooting in Pahalgam for their upcoming film ...
Ranbir Kapoor and Deepika Padukone are shooting a song in the beautiful valley of Kashmir for Yeh Jawani Hai Deewani. (Photo/Waseem Andrabi)
Kalki Koechlin, Ranbir Kapoor and Deepika Padukone pose during their shoot in Kashmir. (Photo/Waseem Andrabi)
Aditya Roy Kapur and Kalki Koechlin will be seen in supporting roles. (Photo/Waseem Andrabi)
It is romantic film directed by Ayan Mukerji under Karan Johar's Dharma Productions. (Photo/Waseem Andrabi)
Yeh Jawani Hai Deewani is Ranbir, Deepika's first film after their break up. (Photo/Waseem Andrabi)
This film will also see Madhuri Dixit in an item number. (Photo/Waseem Andrabi)
Bollywood is currently coping with an unprecedented situation. The industry is suddenly short of background dancers. Producer Shubir Mukherjee, who brought Hollywood actor Judith Shekoni of The Twilight Saga: Breaking Dawn (Part 2) fame, and planned to shoot an extravagant song for his next film, Club Dancers, says, “I required 100 dancers, but had to make do with 30.” Cashing on the situation, the few dancers that the producer managed to get, quoted a large sum. “I had to pay quite a lot. Not double, but at least one and a half times more,” says Shubir.
The reason behind this sudden shortage — some filmmakers, such as Remo D’ Souza and Ayan Mukerji are believed to have blocked many dancers. While Remo’s ABCD — Anybody Can Dance, featured many junior dancers, Mukerji booked around 600 dancers for a song he is shooting with Madhuri Dixit and Ranbir Kapoor for Yeh Jawani Hai Deewani.
Raju Nagpal, choreographer of Judith’s song, says, “Others too are currently shooting with background dancers. That’s why we are finding it difficult to get dancers.” Choreographer Ashley Lobo says, “There’s the same set of dancers in the industry, so if there are two projects that require them at the same time, there’s obviously a scarcity.” Lobo classifies these dancers in three categories depending on skill and personality, and points out that “foreign dancers are most expensive”.
Choreographer Saroj Khan brings up another factor: “Rather than dancing at the backdrop, the dancers now have avenues to go and become actors in TV and also in films.” There’s always a way to cope, though. “If directors don’t want to wait and agree to stretch budget, we call people from outside (the industry),” says Choreographer Geeta Kapoor.