As you may have gathered from my occasional references to my TV viewing habits, I am a big fan of TV shows. Offer me a choice between a Hollywood/Bollywood blockbuster and a box set of the most recent TV series and I will always plump for the latter. And every single time I spend the evening
feasting on the best Western television has to offer, I set off for bed wondering why we can’t do anything half as good in India.
Why is it that we don’t have an indigenous Homeland, the cracker of a TV show that had the entire world on tenterhooks for its two-season run? Even President Barack Obama – who presumably knows a thing or two about tackling terrorism – is a fan, going so far as to invite Nick Brody (British actor Damian Lewis) to the White House for an official banquet. It’s not as if we are starved of inspiration, given the number of terrorist attacks that have pummelled us over the last decade or so. And yet, we don’t have a single TV show that brings this alive on the small screen. The best we can do, apparently, is to have Anil Kapoor threaten a re-make of 24, the thrill-a-minute Jack Bauer series which has already run its course.
Then there’s Newsroom, the Aaron Sorkin show about prime-time news programming. Despite a weak (and much too wordy) start it took off after a couple of episodes, bringing the dilemma of TV news networks home to us. How do you keep your news judgement and your integrity intact and still score high ratings while competing with hysterical, jingoistic anchors who fall back on hype and sensationalism? This is a subject that is bound to resonate with Indian viewers given the amount of sound and fury on our prime-time news shows. And yet, there isn’t a single Indian TV show that has strayed into this territory. Everyone is busy making saas-bahu serials, the tried-and-tested family melodramas that have become such a staple of entertainment programming.
But even family shows can pack a punch, as anyone who has ever watched Modern Family knows all too well. The show has wit, charm, and some of the best one-liners on offer. But it also offers us the portrait of a modern family – the jumble of trophy wife, stepfamilies, gay parents, adopted Asian baby, stay-at-home Alpha mom, klutzy dad, teenager going off the rails, nerd kids – which really shouldn’t work but in some mad, out-of-control way, simply does. In its own laugh-out-loud funny way it gives us an insight into the changing landscape of American society.
And what do we have in India? Oh, we do family shows, all right. But what do they show us? A regressive, patriarchal world populated by large, joint families who live in big, imposing mansions, and spend all their time plotting and scheming against one another. The women wake up in the morning wearing full make-up, swan around in Kanjeevaram saris, brandishing their oversized mangulsutras to prove that they are truly ‘pativrata naris’. Their clothes, their jewellery, their lives, nothing has anything in common with us. It is almost as if these shows are set in a different era altogether.
Not that I have anything against different eras. I am a huge fan of Downton Abbey and Mad Men, both of which skillfully recreate a bygone world. In Downton Abbey you get the sense of a decaying Edwardian England in which the old certainties are crumbling quietly, leaving disquiet and anxiety in their wake. Mad Men evokes the New York of late ’50s and ’60s, when the advertising men of Madison Avenue ruled the world and didn’t quite know how to cope with the incipient feminism in the air. Can you think of anything remotely like this on Indian TV? No, me neither. And more’s the pity.
From HT Brunch, April 14
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