Called Icarus, the collection dealt not only with newer iconography, but also played around with the positioning of the motifs that made them even more interesting.
The concept of ‘deception’ prints came into play as a sexy slit on a floor-length dress was teased by a hand fastening a safety pin through it , a hot iron with an accompanying burn mark sat humbly on the pallu of a sari, while knitted wool came alive with printed needles in place. Read: Rahul Mishra WIFW show: the craftsman
Other motifs included that of a running tap, water pouring out of a bottle and a pair of scissors. Colour blocked drapes, metallic inputs, exaggerated capes for autumn/winter, handbags and backpacks added to the collection. The music also added to the show with Kiwi singer Lorde’s ‘Royals’ packing a punch, right at the beginning.