A frequent contributor to the National Geographic magazine, Hoffmann’s work has made an important contribution to the world's understanding of modern China. When asked whether he has been able to draw a parallel between the two places, both under the Marxists rule, by means of his photos, he replied in the negative. "I've been thinking of this while here and I'm not sure that I have a conclusion as yet," said the lensman, who was in the city recently to conduct a photography workshop by Studio Pomegranate.
Having photographically documented China’s evolution, its growing economy and emerging society, the Asian superpower country continues to be the primary focus of his work. "The social structure of developing countries is different from what we are used to and so are the socio economic issues. And so I ensure that there are no misconceptions about the country in the developed nations in my photos," he said.
He was the first foreign photographer since 1949 to receive accreditation from China’s Foreign Ministry to reside outside Beijing. "But it was very difficult to work in China. It was very restricted for the media, and that was the biggest challenge," Hoffmann, who was based out of Shanghai between 1995-2008, said.
Hoffman, who had his first glimpse of the recently-concluded Durga Puja, said that the sight of the immersion of the idol into the water bodies had caught his fancy.