Content is queen in Bollywood

  • Roshmila Bhattcharya, Hindustan Times, Mumbai
  • |
  • Updated: Apr 06, 2012 15:54 IST
  • Kahaani

    Sujoy Ghosh's thriller Kahaani stars Vidya Balan and Parambrata Chatterjee in lead roles.

  • Kahaani

    Right after winning a National Award, Vidya Balan once again proved her mettle with Sujoy Ghosh's Kahaani, which was a massive hit.

  • Kahaani

    Vidya Balan plays a pregnant woman in search of her husband and the father of the child.

  • Kahaani

    Kahaani will be Vidya Balan's second female-centric film after The Dirty Picture.

  • Kahaani

    Kahaani is scheduled to release on March 9.

  • Kahaani

    Kahaani is reported to be partially inspired by the Hollywood blockbuster Kill Bill, which was directed by Quentin Tarantino and starred Uma Thurman.

  • Kahaani

    Produced by Ghosh, Viacom 18 Motion Pictures and Pen India Private Limited, Kahaani has been extensively shot in Kolkata, which incidentally is Vidya Balan’s favourite ...

  • Kahaani

    After The Dirty Picture, expectations are very high from Vidya Balan.

Bollywood’s usually lack-lustre first quarter has ended on a surprise high in 2012 with Kahaani emerging as the biggest earner with net collections of Rs 55.50 crore on an investment of Rs 5 crore. “It currently ranks No. 5 on the IMDB box-office list of all-time biggest grossers,” says the film’s director Sujoy Ghosh, attributing its appeal to the global format that has worked with the audience that is more exposed to world cinema today.

Kahaani, however, Sujoy admits, is everything a commercial Bollywood film shouldn’t be. It has no big names apart from Vidya Balan. It has come during, what is traditionally considered an infertile period with exams keeping young audiences away. And it is a thriller, which usually doesn’t lure in crowds for second viewing as the mystery has been revealed. But its success has busted some popular trade myths and superstitions, says Sunil Punjabi, CEO, Cinemax. “It continues to perform in its fourth week, breaking records across the country. In some theatres, it’s getting even more footfalls than Ready (2011).”

Agneepath has also made it to the hit list thanks to a strong opening. Its sustaining power has helped it gross Rs 125 crore to date. “Karan Johar (producer) has proved that you don’t need to remake hits. You can remake flops and by ensuring you don’t repeat the shortcomings, you can make a blockbuster out of a debacle,” points out trade analyst Komal Nahta.

The number of hits during this three-month period has not been too high, but three films — Ek Main Aur Ekk Tu (EMAET), Tere Naal Love Ho Gaya and Paan Singh Tomar — have managed to spring some pleasant surprises. Says Gaurav Verma, VP, India theatrical distribution, UTV, “Paan Singh Tomar, which was made on a budget of Rs 4.50 crore with an additional Rs 3.50 crore spent on print and publicity has, to date, done a business of Rs 20 crore on theatricals. EMAET has grossed Rs 53 crore to date.” Says trade analyst Taran Adarsh, “It’s been good with all these three films; the two major setbacks being Players and Agent Vinod.”

Hollywood too hasn’t had a great run so far with only The Artist from the Oscar list finding some takers among film connoisseurs.

But there’s a lot to look forward to with big franchises like the Men In Black, Spider-Man, Bond and Total Recall on the way. Meanwhile, it’s still Kahaani spinning a new box-office story and, as Sujoy puts it, proving that content is not just king, but queen too!

Hits, super hits and the blockbuster!
‘Plus’ or average: A film that, for instance, on an investment of Rs 5 cr, recovers its money and makes Rs 6 cr
Hit: If it doubles its investment with a Rs 10 cr gross
Super hit: Does business between Rs 10-15 cr   
Blockbuster: Rs 20 cr & above


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