Initial reports of Kabhi Alvida Naa Kehna (KANK), which marks Karan Johar's third outing as a director, are not encouraging but Amitabh Bachchan feels the film will triumph at the box office.
"It is going to be huge. The detailing is flawless. The screenplay and dialogue have panache and finesse. The performances from all his artists are without error and the way Karan has put all this together is a marvel," said Amitabh, who describes his character in the film as "a happy-go-lucky Lothario".
However, wife Jaya wasn't in favour of him playing a skirt chaser in the film about extra-marital affairs.
"Jaya was very apprehensive about my role and felt I should not be accepting it. I have not ascertained from her, whether her apprehensions were justified or not," Amitabh said in a candid interview.
|Initial reports of Kabhi Alvida Naa Kehna are not encouraging but Amitabh Bachchan feels the film will triumph at the box office.|
Kabhi Alvida Naa Kehnacasts you in an avatar never seen before.
A happy-go-lucky Lothario, open-minded and honest about his activities, even though they are below the belt and the pun is intended. But, also, as the senior most character in the film, he bears a certain responsibility of guiding and monitoring others who seem to be drifting in the wrong direction.
My character's ability to judge and advise in moments of extreme sensitivity are perhaps the crux of what the film deep down intends to convey. If a marriage is not working out, it is better to walk away from it, rather than continue just because society and tradition so dictates. Why suffer the pain, anguish and incompatibility by remaining with it?
Quite a novel character for you? "
Yes, it is new for me - a fun-loving skirt chaser. Good humoured. Living thus, because he has been permitted to do so in an abstract sort of way but has his moments of softness, which hopefully will redeem his otherwise flamboyant and somewhat frivolous nature.
You once described your character as a "colourful old man". How colourful?
It's not all colour. There are at end of it all, portions which are black and white as well.
How do you see KANK at the box-office?
It is going to be huge. The detailing is flawless. The screenplay and dialogue have panache and finesse. The performances from all his artists are without error and the way Karan has put all this together is a marvel.
Did you miss your wife Jaya in KANK?
I personally feel she would not have wanted to be in it, because there was nothing for her to do. There was no role in the film where you could have said, "This should have been done by Jaya".
On the contrary, she was very apprehensive about my role and felt I should not be accepting it. I have not ascertained from her whether her apprehensions were justified or not.
|"Jaya was very apprehensive about my role and felt I should not be accepting it. I have not ascertained from her, whether her apprehensions were justified or not," says Amitabh|
Karan missed her throughout the film.
Karan misses her as not just another member of the cast. Let me tell you she spent a large number of days with us on location and even visited the sets here in Mumbai. She never does that for any of my other films. Which really speaks a lot about her relationship with the Johar family, a family she treats as her own. As do all of us.
How different is Karan's approach to filmmaking this time as compared with Kabhi Khushi Kabhie Gham (K3G)?
His approach is no different from K3G, I believe, or indeed, from any of his other films. He is well planned and crystal clear about what he wants.
On occasion, and these are few and far, when you surprise him with something not pre-planned, he will ponder for long on why he didn't think of it earlier. That
is, if he decides to accept your suggestion.
Karan says he was playing to the galleries in K3G, not in KANK. Do you agree?
The galleries haven't opened yet, so I cannot say. But he has greater knowledge of them and is far more accomplished to make such an observation.
How was the camaraderie in NY with the entire cast?
Damn good. It was a picnic.
Abhishek plays your son again. How different is this father-son relationship from the one in Sarkar?
In both we are father and son on the same side of the fence. Sarkar was intense and dramatic while KANK is light-hearted and friendly, warm and open.
In the former father and son shared the grim intricacies of the system, falling victims to it and surviving. Here we share intricacies, perhaps frivolous and risqué in content. But the affection, emotion and love are all pervasive. And yes, we still survive.
The film is about fidelity and trust in a marriage. How important do you personally think these qualities are to a marriage?
They are the foundation of all associations.