Ramu gives space to all artistes: Amitabh Bachchan | india | Hindustan Times
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Ramu gives space to all artistes: Amitabh Bachchan

india Updated: Mar 13, 2007 13:02 IST

IANS
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Amitabh Bachchan is glad that audiences have understood and appreciated Ram Gopal Varma's Nishabd, where the protagonist falls in love with his daughter's teenaged friend, even though it sparked off an ethical debate.

Excerpts from the interview:

Nishabd
has triggered off a lot of debate.
I'm happy to see I've been appreciated. I did it because it was challenging. I'm happy audiences understood what the film is really about. That's contrary to how some people in the film trade saw it from the outset. Ramu now feels the projection of the film's publicity was wrong. But not a single person has disliked it. I've got positive feedback from weird places.

The point of the film is what does a man in that situation (of falling for a much younger girl) do? It's not about how can he or why did he? I think the ethical speculation is a hypocritical excuse for puerile thoughts. Some people have challenged the wisdom of the character ...as though wisdom and age are inherently linked together. They're not! Wisdom doesn't come automatically with age.

You've once again stunned audiences in Nishabd.
Given an opportunity and a competent director, it's possible. One reason why it happened was because we went to a remote place and shot the film at a stretch. There were no crowds, no phones, no connection with the rest of the world. It was just us and the project. It was the silence that stimulated creativity. We've forgotten the value of silences.

The moment the camera goes on, the actor craves for solitude. Most of the time we're so crowded we don't do our best work. Everything came together in Nishabd. I just love the time that Ramu gave to my close-up after my character asks the girl to leave. Ramu just lets the moment linger on. He gives space to all artistes.

Like Black, your performance in Nishabd is born without reference points.
Sanjay Leela Bhansali gave me huge moments of space. Sometimes during shooting the film ran out or the video monitor broke down. But he didn't stop me. He just allowed me to keep going. At the end of the shot he'd ask me to do it again. Not once did he rush me. I could easily make out when Sanjay was happy and when he was very happy. I was never content with him just being happy.

Would you say these two are your finest films in recent times?
I'm fortunate such roles are coming my way. These two films gave me the opportunity to delve into the darker areas of my personality. Some of my forthcoming films also give me that opportunity.

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