Trade Espresso: Karzzz | india | Hindustan Times
Today in New Delhi, India
Oct 23, 2017-Monday
-°C
New Delhi
  • Humidity
    -
  • Wind
    -

Trade Espresso: Karzzz

The Satish Kaushik-directed and T-Series-produced Karzzzz has evoked a mixed response, reports Vajir Singh.

india Updated: Oct 20, 2008 18:16 IST
Vajir Singh

Remakes are dicey business. Comparisons to the original are inevitable. Never mind the fact that the original was ‘inspired’ by The Reincarnation of Peter Proud. Anyway, to cut to the chase, the Satish Kaushik-directed and T-Series-produced

Karzzzz

has evoked a mixed response.



Bhushan Kumar of T-Series had sold the film to Reliance and made a neat profit before the release itself.



As for Reliance, it released the film with as many prints as it possibly could. However, the film failed to open to full houses due to the fact that there were far too many screens and shows.



Good and bad


On the upside,

Karzzzz

opened very well at the single screen theatres across the country but not at the multiplexes. The initial collections were best in Mumbai and in parts of Gujarat, Saurashtra, U P, Rajasthan and Punjab.



In Mumbai, the remake opened with 40 to 50 per cent at multiplexes. The collections increased marginally for the evening shows.


At the single screen theatres, the collections registered an improvement during the weekend.



All pros and cons considered, the film will be a safe proposition, but a long run is ruled out. It doesn’t have a strong opponent right now.



No chance


Jagmohan Mundhra’s

Shoot On Sight

and R D Mallik’s

Cheenti Cheenti Bang Bang

have failed to draw audiences.



There were some expectations from

Shoot on Sight

but that’s it. The negative reviews also came as a dampener for Mundhra.


Even though producer-director Atul Agnihotri and distributor Percept Picture Company of

Hello

have been proclaiming that the film is a success, the trade thinks otherwise. As a matter of fact, the number of shows have been reduced drastically in the second week.


The collections of Sanjay Gadhvi’s

Kidnap

and Goldie Behl’s

Drona

have been laughable.