Rashid Irani's review: The Woman in Black

  • Daniel Radcliffe

    Daniel Radcliffe has come of age since his Harry Potter days and how! Here's checking out the 'Man Who Lived' as he plays a widowed ...

  • Woman in Black

    The film is reportedly a spine-chilling horror film.

  • Arthur Kipps (Daniel Radcliffe),

    Arthur Kipps (Daniel Radcliffe), a widowed lawyer whose grief has put his career in jeopardy, is sent to a remote village to sort out the ...

  • Woman In Black

    Upon Kipps' arrival, it soon becomes clear that everyone in the town is keeping a deadly secret.

  • Kipps

    Although the townspeople try to keep Kipps from learning their tragic history, he soon discovers that the house belonging to his client is haunted by ...

  • film's opening scene

    The film's opening scene has three girls in an attic playing with their dolls and toy tea set, a precursor to a horror film perhaps?

  • Kipps

    Kipps realises that the ghost is that of a woman who is determined to find someone and something she lost.

  • Woman in Black

    It doesn't take him long to realise that no one, not even the children, are safe from her vengeance.

  • Daniel Radcliffe

    Will Daniel Radcliffe be able to do justice to his newest role?

Ghoulish piffle

The Woman in Black
Direction: James Watkins
Cast: Daniel Radcliffe, Ciaran Hinds
Rating: * 1/2

In his first role after wrapping the Harry Potter series, Daniel Radcliffe portrays a widowed lawyer in Victorian England. A Gothic haunted-house tale, The Woman in Black retreads the often-travelled ground of the 1960s horror flicks produced by the estimable Hammer studios.

Lucklessly, a feeling of dread is missing from the script which favours loud noises and cheap effects over psychological subtlety.

Fret and frown, then, along with the widower who arrives at a remote coastal village to finalise the estate of the recently deceased owner.

The lawyer snoops around the mansion by candlelight searching for vital documents.

Before we can say 'boo', he's confronted with apparitions of dead children, ominous wind-up dolls, not to forget a graveyard shrouded in fog.

By the time the mystery is unraveled, the viewer is too exhausted to care about the outcome.

Almost every aspect of this poltergeist patchwork, from the fright-free atmosphere to the contrived characterisations, has been seen and suffered before.


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