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Diwali: Then and now
 
 
The name Diwali itself is supposed to be a transformed form of the more correct word Deepavali, the literal meaning of which in Sanskrit is a row of lamps. Filling little clay lamps with oil and wick, and lighting them in rows all over the house, is a tradition that is popular in most regions of the country.

Earlier, on the main day (the third day), the best part used to be the onset of darkness, which would then be dispelled by the lighting of the lamps. A short prayer to Goddess Lakshmi, the progenitor of wealth, with a one rupee silver coin soaked in milk, few low-tone crackers and ordinary sparklers, marked the beginning of Diwali.

To welcome Lakshmi into their home, people made floor designs of the lotus seat of Lakshmi at the entrance to the house. Lights were kept on all night to ensure that she does not lose her way. Down South, celebrations begin with an oil bath before sunrise. Goddess Lakshmi is said to reside in the oil on that day and goddess Ganga in the water.

Along with eating and exchanging sweets, gambling with small stakes was a norm. The other aspect was of course, to wish for more money after appeasing the goddess. The quickest way to earn that money was by gambling, hence the significance of gambling.

Diwali has since come a long way. Though still important for the devout and the God-fearing, it is no longer a revered festival. Now Diwali is another name for fun, frolic, revelry and pleasure. The religious trappings have been pushed to the background, while rituals of liquor consumption, entertainment, merry-making and life affirmation have taken over. The festival is a consumer’s delight and a manufacturer’s dream. It is also the time to clear out new stocks, in order to bring in the new goods.

The innocence has been invaded by sophistication and scale in all its aspects. Fireworks are now thoroughly professional, pitched at unbelievable decibel levels – especially so the bombs (read crackers packed with gun powder). The art of pyrotechnics advances every year. The rockets soar higher, making kaleidoscopic patterns in the sky after bursting and of course making louder sounds than ever before.

The earthen lamps have been replaced by flickering strings of lights, neon and other innovations that make the flames gyrate to attract attention. Diwali candles have, largely taken over the twinkling from earthen diyas. Nobody has the time to twist and create wicks out of raw cotton and to fill each individual diya with oil. And yet, no Laskhmi Puja in any Hindu household is complete without the lighting of a minimum of eight to sixteen diyas for which the wicks are still created by the woman of the house.

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Diwali: Has anything changed?

 
 
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