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Listen: Alternative country musician Todd Snider’s lyrics ooze with wry wit and candour.

When I wrote a couple of months back about The Hold Steady and the lure of their frontman Craig Finn’s harsh, nasal, sometimes unmelodic, but totally endearing voice, I got an email from Rachel Tanzer who used to handle their artist relations before she moved out of the US to work in India. Rachel urged me to check out Lifter Puller, a band that Finn fronted in the early 1990s before The Hold Steady was formed.

I was quite inclined to do so. Ever since I heard them for the first time (Separation Sunday was my first album), I’ve tried and managed to get hold of all of The Hold Steady’s albums, the four studio ones as well as live recordings, including a very satisfying EP, Live at Lollapalooza 2006. Getting hold of Lifter Puller’s music proved to be more difficult. Their albums are all out of print, I think, and, for a while, I had to make do with YouTube videos and snatches here and there.
Then, on emusic.com, I found Soft Rock, a glorious compilation of 21 songs, spanning nearly 70 minutes. Bliss. If you like The Hold Steady, you’ll like Lifter Puller, Rachel had written. And she was right. Every once in a while you discover a band that you want to obsessively get everything of. The Hold Steady are like that and so are Lifter Puller. Finn’s bar-soaked vocals and gritty lyrics hooked me from the first listen and I’m happy to have discovered both his bands.

But the best part of all this is how I’m getting nudged in the direction of fabulous music by readers. Like Sammy Bhattacharya who, after reading my mention of Iceland’s post-rock minimalists, Sigur Ros, sent me a list (complete with links) of not one but eight Icelandic bands, including Amiina (a bit like Sigur Ros) but also Quarashi, a surprisingly good hip-hop band from Reykjavik.

I sampled some Quarashi and was instantly drawn by their unique blend of rock, techno and hip-hop, deciding that I’d like to follow this band. Alas, then I learnt they disbanded in 2005.

Never mind, I’m on a mission now to get the six or seven albums that they released during their nine-year tenure. Hat-tip to Sammy! Not only for the Icelandic trove that he’s pointed me towards but also the little amuse bouche that came the other day, an emailed mp3 of Massive Attack’s Teardrop, only this was an acoustic cover of their original version by Jose Gonzalez. Massive Attack is, of course, an acclaimed trip-hop band from the UK, whose music is a fusion of jazz, hip-hop and rock, but the version by Gonzalez, whose parents migrated from Argentina to Sweden (he lives in Gothenburg), is truly unique.

Last week, I got another email full of music. This time from Rupak Das, who obviously is a musician himself. Rupak sent me video links of his own band’s very competent covers of a few classic songs captured and uploaded on YouTube. They performed at the Lawrence School, Sanawar, last November and their setlist included Cocaine (the Clapton version), Floyd’s Another Brick in the Wall and Time, besides a couple of Joe Satriani numbers. I’d, however, vote for their version of Jimi Hendrix’s Voodoo Chile. Rupak plays a mean guitar and his vocals are excellent too. Rupak’s mail was minimalist (it only had the links to the videos), so I had to scour the web to learn that he’s got a day job as a doctor but also has a band that does regular gigs.

And then, also last week, there was the tip from Keller Williams’ most recent podcast of his radio programme, Keller’s Cellar. This time, he played an alternative country musician, Todd Snider. Now, I’m no great fan of country music but the track he played, Age Like Wine, off a 2004 album, East Nashville Skyline, hooked me instantly. Snider uses a guitar and harmonica, not much else, but his lyrics ooze with wry wit and candour. I found the album on emusic as well as four or five more, including the live Near Truths and Hotel Rooms, and have become a fan.

All said, it was a great week for music. With (more than) a little help from my friends!

Sanjoy Narayan is Editor-in-chief of Hindustan Times


 

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Jose Gonzalez's
Hand On Your Heart


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qwI'm thrilled that you like Lifter Puller, who in my opinion...rule. Nassau Coliseum was an anthem for my friends and I for many years. Here's what's on deck at my house: Jakobariana: (rough trade) amazing band from Iceland who have broken up; Buffalo Tom: Let me Come Over: an oldie but amazing record from one of Bostons best bands ever.
Dinosaur Jr. Green
Mind:
another oldie but goodie (I"m feeling nostalgic these days; Alias Records Comp from 1999 featuring: Superchunk and Archers of Loaf; The Duke Spirit: Love is an unfamiliar name ; Bad Brains: The Youth are getting restless; Joe Arthur: Can't exist.

- Rachel Tanzer

I am an avid reader of ur column and sincerely would like to thank you for your efforts of finding new things every time. There are lots other places where you get to know about new music and new bands, but u have go through almost every genre just to know if at all the bands great or not. That takes a lot of time too. I tried most of the things that you asked me to listen and found it worthwhile. Anyway, thank you very much and keep up the good work. I am looking forward to your next article.

-
Sanket Chavan

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qw


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