Golden Girls star Bea Arthur dies at 86
Beatrice Arthur, the tall, deep-voiced actress who considered herself lucky to be discovered by television executives after a long stage career that included a Tony award for the musical Mame, died Saturday at age 86.world Updated: Apr 26, 2009 14:12 IST
Beatrice Arthur, the tall, deep-voiced actress who considered herself lucky to be discovered by television executives after a long stage career that included a Tony award for the musical Mame, died Saturday at age 86.
The star of the TV shows Maude and The Golden Girls died peacefully at her Los Angeles home with her family at her side, family spokesman Dan Watt said. She had cancer, he said, but declined to give details.
“She was a brilliant and witty woman,” said Watt, who was Arthur’s personal assistant for six years. “Bea will always have a special place in my heart.”
Arthur first appeared in the landmark comedy series All in the Family as Edith Bunker’s outspoken, liberal cousin, Maude Finley. She proved a perfect foil for blue-collar bigot Archie Bunker (Carroll O’Connor), and their blistering exchanges were so entertaining that producer Norman Lear fashioned Arthur’s own series.
In a 2008 interview, Arthur recalled with bemusement being discovered by CBS executives asking about the new “girl.”
“I was already 50 years old. I had done so much off-Broadway, on Broadway, but they said, ‘Who is that girl? Let’s give her her own series,”’ Arthur said.
Maude scored with television viewers immediately on its CBS debut in September 1972, and Arthur won an Emmy Award for the role in 1977.
The comedy flowed from Maude’s efforts to cast off the traditional restraints that women faced, but the series often had a serious base. Her husband Walter (Bill Macy) became an alcoholic, and she underwent an abortion, which drew a torrent of viewer protests. Maude became a standard bearer for the growing feminist movement in America.
“She was an incredible actress and a woman I will miss, and I think everyone else will,” said Bud Yorkin, producer of Maude with partner Lear.
The ratings of Maude in the early years approached those of its parent, All in the Family, but by 1977 the audience started to dwindle. A major format change was planned, but in early 1978 Arthur announced she was quitting the show.
“It’s been absolutely glorious; I’ve loved every minute of it,” she said. “But it’s been six years, and I think it’s time to leave.”
Golden Girls (1985-1992) was another groundbreaking comedy, finding surprising success in a television market increasingly skewed toward a younger, product-buying audience.
The series concerned three retirees - Arthur, Betty White and Rue McClanahan - and the mother of Arthur’s character, Estelle Getty, who lived together in a Miami house. In contrast to the violent Miami Vice, the comedy was nicknamed “Miami Nice.”
As Dorothy Zbornak, Arthur seemed as caustic and domineering as Maude. She was unconcerned about the similarity of the two roles. “Look, I’m 5-feet-9, I have a deep voice and I have a way with a line,” she told an interviewer. “What can I do about it? I can’t stay home waiting for something different. I think it’s a total waste of energy worrying about typecasting.”
The interplay among the four women and their relations with men fueled the comedy, and the show amassed a big audience and 10 Emmys, including two as best comedy series and individual awards for each of the stars.
McClanahan said Arthur felt constrained by the show during its later years and in 1992 she announced she was leaving Golden Girls.
“Bea liked to be the star of the show, she didn’t really like to do that ensemble playing,” McClanahan said.
McClanahan first worked with Arthur on Maude, playing her best friend, Vivian. The women quickly became close friends in real life. McClanahan recalled Arthur as a kind and caring person with a no-nonsense edge.
The three other stars returned in The Golden Palace, but it lasted only one season.
Arthur was born Bernice Frankel in New York City in 1922. When she was 11, her family moved to Cambridge, Md., where her father opened a clothing store. At 12 she had grown to full height, and she dreamed of being a petite blond movie star like June Allyson. There was one advantage of being tall and deep-voiced: She was chosen for the male roles in school plays.
Bernice, she hated the name and adopted her mother’s nickname of Bea, overcame shyness about her size by winning over her classmates with wisecracks. She was elected the wittiest girl in her class. After two years at a junior college in Virginia, she earned a degree as a medical lab technician, but she “loathed” doing lab work at a hospital.
Acting held more appeal, and she enrolled in a drama course at the New School of Social Research in New York City. To support herself, she sang in a night spot that required her to push drinks on customers.
During this time she had a brief marriage that provided her stage name of Beatrice Arthur. In 1950, she married again, to Broadway actor and future Tony-winning director Gene Saks.
After a few years in off-Broadway and stock company plays and television dramas, Arthur’s career gathered momentum with her role as Lucy Brown in the 1955 production of The Threepenny Opera.
In 2008, when Arthur was inducted in the TV Academy Hall of Fame, she pointed to the role as the highlight of her long career.