How software piracy spawned an electronic music subculture
In the late '80s, keygen developers had started putting audio 'intros' into their software cracks to establish their identities, birthing a whole new underground geek art subculture.gadgets Updated: Feb 21, 2015 15:21 IST
Remember the time software was prohibitively expensive and almost every geek you knew recommended you ‘crack’ your way into being updated with, say, the latest version of Microsoft Office or the pro version of Winamp?
That era of online piracy was, as it turns out, was bedrock for a style of what is now possibly the largest growing genre of music: Electronic.
Music blog Nest HQ traced the history of the often quirky, but undeniably creative origins of the music on key generators (keygens). Keygens, for the uninitiated, are small programs usually developed by ‘crack’ teams that generate an unlock code to (illegally) turn trial software into full versions. Beginning in the late '80s, crack teams started to put audio ‘intros’ as a way to establish their identity, the blog explained.
“The intros were each crack team’s signature, and as the scene grew, artists making these signatures started looking at ‘intros’ as a new form of standalone audio and visual expression,” it says.
The music was produced on software called Trackers – the earliest of electronic music production platforms.
From there on spawned the Demoscene – an underground geek art subculture producing small, self-contained computer programs that produce audio-visual presentations. Demoscene competitions brought together people showing off their programming, artistic, and musical skills.
Seventeen years ago, it was something like this: