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The Last Song of Awadh: a musical tribute to Lucknow's heritage
A performance-cum-symposium, The Last Song of Awadh, organised by Sufi Kathak Foundation, seeks to understand and preserve the rich cultural heritage of Awadh courts, in art forms such as ghazals, dadra and thumri, even as they take on a modern context.
The weather’s been forgiving and just right for an evening ghazal or two — no wonder the city’s on an Awadhi song, but with a twist.
A performance-cum-symposium, , organised by Sufi Kathak Foundation (SKF), seeks to understand and preserve the rich cultural heritage of the Awadh courts, in art forms such as ghazals, dadra and thumri, even as they take on a modern context. The event will focus on the ghazal not just as a traditional art but a current cultural symbol, too.
Different Awadhi art forms will be rendered by Zarina Begum, the last living singer carrying the cultural legacy of the Awadh court.
Among the last of Lucknow’s famous mehfil singers, she retains the graces of a Lakhnavi courtesan in the way she sits and straightens her khizab-dyed hair and arches a brow.
Recollecting the old times, she says, "At that time, the audience was very knowledgeable in terms of poetry. They appreciated us and gave us freedom without the constraints of time. Now, in the audience of hundreds, it’s all very impersonal."
Sufi kathak expert Manjari Chaturvedi, who has conceived the show and will be performing to Zarina Begum’s renditions, adds, "It’ll be two different worlds on stage, and reliving a bygone era."