Indian writers say negotiations set to begin with producers after Hollywood writers’ strike

Indian writers Apurva Asrani and Anjum Rajabali talk to us about the many problems plaguing the writing fraternity for long now, and what changes they seek.

It will be 11 days today, since the Writers Guild of America went on a strike demanding higher pay and a stable pay structure. Some more demands include fairer deals and being safeguarded from artificial intelligence. As a result of the strike, which has been supported by big filmmakers such as Christopher Nolan, production on several projects has come to a halt.

Writers are underpaid, and their contracts are one-sided, say Indian writers.

But the effect can be felt in this part of the world as well, where writers have for long been talking about exactly the same set of problems. The only difference is that they have got a voice for the first time, and that negotiations will begin with producers to resolve the issues.

Anjum Rajabali, who has written films such as Ghulam, and co-written the screenplay for Raajneeti, says, “While their strike doesn’t have a direct bearing on the Indian situation, it has brought into public focus the unfair treatment that writers receive. Here too screenwriters face serious problems professionally. Writing fees in India are nowhere near the value that the script brings to the film. New and young writers are distressed as they feel exploited. The contracts that producers, studios, and platforms offer are grossly one-sided with the company demanding all the rights and protection leaving the writer vulnerable. And the most important right is to be credited for your work. However, the contract insists that credit will be given at the discretion of the producer!”

Zeishan Quadri, who wrote the film Gangs of Wasseypur, says the unity is missing here in India, between writers. “We all should be called for a meeting, there is no organised way here. There is no one to guide writers. If something wrong is happening, it continues,” he rues.

Mitesh Shah, co-writer for Helicopter Eela and Tummbad, tell us, “SWA has been talking about all this for a long time now. But I haven’t received as many calls as I am now, after the US strike. Barring a few industry people, there has been very little support. I have known a few writers selling their scripts for as less as ₹50,000- a lakh, when the minimum wage should be atleast 12 lakhs. A writer doesn’t write many stories in a lifetime, you don’t want them to die poor. The piece of paper is where it all begins.”