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Carrie review: Mike Flanagan reinvents the bloody revenge saga from Stephen King for a generation living via social media and familiar with violence

The new adaptation of Stephen King's classic horror saga stars Summer H. Howell as Carrie White. Here, she is a victim of a worse kind of social media bullying.

Updated on: Oct 10, 2026, 13:07:26 IST
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Carrie

Cast: Summer H Howell, Samantha Sloyan, Siena Agudong, Alison Thornton

Creator: Mike Flanagan

Star rating: ★★★.5

Where to watch: Amazon Prime Video

Summer H. Howell is effective as Carrie White in the new Prime Video show.
Summer H. Howell is effective as Carrie White in the new Prime Video show.

I cannot think of anyone as Carrie other than Sissy Spacek. The Brian De Palma adaptation is plastered on my mind as the definitive adaptation that truly takes the tone and atmosphere of its source seriously. That being said, the Stephen King novel continues to remain timeless, almost mythic in its coming-of-age exploration of violence and cruelty that is part of human nature. Carrie is naive when we meet her first, and by the time the book ends, she is altered forever. It is her rebirth in a world that hunts down the weak. That loss of innocence is never getting old, come what generation may.

The premise

The new Prime Video adaptation by Mike Flanagan understands this facet of human nature. It makes several changes from the traditional arc of the book, often fashioning Carrie's new-found telekinetic powers as a means of seeking revenge. Here she is not the weird one out, she is just different. When Carrie (Summer H Howell) arrives as a sophomore at Ewen High School, she must learn the ways of this completely new world, one that her toxic mother, Margaret (Samantha Sloyan), has managed to keep her away from. Her father is dead in an accident, and Carrie sees him around in the house, gently observing her from afar.

Movie Review
Carrie
3.5/5
After her father's sudden death, sheltered teenager Carrie White, raised by her domineering mother, enters public high school, where she faces a viral bullying scandal and the awakening of mysterious telekinetic powers.
Director
Mike Flanagan, Axelle Carolyn, Hiromi Kamata, Kyra Sedgwick, and Kate Siegel
Cast
Summer H Howell, Samantha Sloyan, Siena Agudong, Alison Thornton

What works

But of course, there are bullies, as Carrie has to face Christine Hargensen (Alison Thornton)- whose decision to make an alternate Instagram account of Carrie ‘Red’ will lead to severe consequences. Flanagan, adapting the show with 8 hour-long episodes helmed by Miguel Arteta, Norman Buckley, and Nanette Burstein, stays faithful to the text in its core and simultaneously expanding its themes for a new generation. She is now facing a world where every school kid wants to be an influencer, updates their life on Instagram 24/7 and are disproportionately aware of the violence that surrounds them. Begrudgingly, they practice drills and portray themselves in a completely inauthentic way on social media.

I also liked how attentively Flanagan adapts the telekinetic powers of Carrie that are so central to the text. In a sequence, the show links such powers through the annals of history, underlining the fact that women who were believed to possess such powers were routinely called frauds or demonised by the sexist society at large. However, my concerns mainly lie with the characterisation of Carrie's mom, whose misplaced anger, frustration and lies never fully materialises into something deep, and ultimately feels stretched beyond will. The key prom sequence is also a little disappointing in the rather-heroic display of revenge that is in play with bloodied abundance. The show almost gets lost in its depiction of high school drama at times, just escaping the rush of melodrama.

Carrie is not without its flaws, but I found myself moved in its thoughtful interrogation of the limits of empathy and kindness for the tortured soul. The middle episodes do feel stretched and repetitive. Carrie faces a level of apathy and disdain that arrives without a warning sign, a label. The show tracks Carrie as a girl lost in a world filled with dangerous and twisted people and all she can do is walk right ahead. Confront it, blood dripping from her face. Confront it whole. Carrie is a desperately timely adaptation for a generation fed with social media and addicted to their phones. Carrie will be heard, but never forgotten.

 
ABOUT THE AUTHOR
Santanu Das

Santanu Das is a Senior Content Producer at Hindustan Times with over 5 years of experience, writing on films, pop culture and film festivals. He has a keen interest in writing about South Asian independent films and has covered several film festivals, including Sundance and CPH: Docx. He also brings a sharp perspective to the monthly column called The Fault in Our Stars, where he writes about a recent film/series and what stops the ‘good’ from becoming ‘great’. A gold medalist from Banaras Hindu University, Santanu completed his postgraduate studies in English from Jadavpur University. He is also a Rotten Tomatoes-certified film critic. When not watching films or speaking to celebrities, Santanu can be found reading a book. Some of his favourite films are Aparajito, Ponyo and The Double Life of Veronique. His favourite books include The Corrections, The God of Small Things and A Room of One's Own. Santanu continues to write passionately about films and celebrity culture. He brings a relatable, as well as critically informed, lens to entertainment and culture for a wide audience. Find him on LinkedIn: santanudasfilm Instagram: @santupecha

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