In pieces: A gripping play on life after a child goes missing

Watch the India debut of Ruby Moon at G5A this weekend.

On a quiet day in the suburban town of Flaming Tree Grove, six-year-old Ruby, clad in a red dress, left home to visit her grandmother at the end of the street. She never returned. Years later, her parents Sylvie and Ray Moon are still trying to figure out what happened when they receive an anonymous package containing a body part from Ruby’s favourite doll.

Over the next few days, more packages, each containing bits of the dismembered doll, arrive at the Moons’ doorstep.

First staged in 2003, playwright Matt Cameron’s Ruby Moon went on to become a much-acclaimed Australian production, finding its way into school curricula too. The whodunit will premiere in India this weekend, with actors Tavish Bhattacharyya and Kyla D’Souza playing Ray and Sylvie.

Directed by Glenn Hayden, Ruby Moon is part of an initiative by The Peas and Carrots Theatre Co to bring more Australian productions to India. “It’s a play that transcends borders. Its themes of grief, loss and marriage are universal,” Hayden says.

Hear from others who’ve staged the play

“It’s not a linear, straightforward script. With each character and scene, you’re changing the audience’s perceptions,” says Bhattacharya.

Hayden also references ‘Theatre of Catastrophe’, the term coined by British playwright Howard Barker to describe narratives where each member of the audience draws their own interpretations, instead of a collective response. “The audience will experience heightened catastrophe. The play forces them to introspect, posing more questions than answers,” he says.