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2018 director Jude Anthany Joseph on film going to Oscars: I was asked to remake the film, I refused, but…

Director of 2018, India's official entry for Oscars 2024, gets talking to us about helming the biggest hit of the Malayalam film industry.

Published on: Oct 2, 2023, 02:48:22 IST
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The news about his film 2018 going as India’s official entry to the Oscars, came as a shock to director Jude Anthany Joseph. Talking to us, he says this was not something the team had planned for.

Director Jude Anthany Joseph directed the film 2018.
Director Jude Anthany Joseph directed the film 2018.

“I came to know just last week that the film has been sent for consideration. I was not bothered about it (Oscar application), because that not something I imagined in my dreams. I knew it won’t happen. When the news was out, someone called me for a byte, and when I asked why, they told me. I was really shocked,” he shares.

The 40-year-old however was confident about one thing: the film doing well and getting good reviews, But again, what he was not prepared for is 2018 becoming the highest grossing film in Malayalam cinema. The survival drama was based on the 2018 floods in Kerala. “A night before the film’s release, I had sent a video message to my producers, saying tomorrow onwards, you will start getting many messages and phone calls, this film will be a milestone in Malayalam cinema. I was sure it will be a superhit, but not the highest grosser. The kind of appreciation we got from people in theatres across India, I knew it will be beyond language barriers. But again, the Oscars was not in our plan,” he asserts.

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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