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EXCLUSIVE| EOW says Netflix not cooperating in investigation of tussle with Pooja Entertainment’s Vashu Bhagnani

HT City speaks to the Economic Offences Wing’s investigating officer, who alleges Netflix is not cooperating after producer Vashu Bhagnani filed a complaint.

Published on: Sep 27, 2024, 08:01:15 IST
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Pooja Entertainment, helmed by producer Vashu and Jackky Bhagnani has been through a rough patch following a string of films that under performed at the Box Office. The latest however, in the complex web of financial controversies involving the production house, is an ugly legal tussle with streaming giant, Netflix. Bhagnani has sued Netflix for cheating and non-payment of dues to the tune of nearly 47.37 crores. Even as Netflix issued a denial and claimed that it is Pooja Entertainment that owes them money, the case, now under investigation by the Economic Offences Wing, seems to be stacked in the favour of Bhagnanis, owing apparently to non-cooperation from Netflix India.

Producers Vashu Bhagnani and Jackky Bhagnani (L)
Producers Vashu Bhagnani and Jackky Bhagnani (L)

Also read: Bade Miyan Chote Miyan producers accuse director Ali Abbas Zafar of siphoning funds; file complaint

Speaking exclusively to HT, the investigating officer on the case, Senior Inspector Ravindra Avhad, says, "This amount of 47.37 crores is what Netflix owes to the complainant Vashu Bhagnani. But Netflix is not cooperating. We sent them two summons, but they are not appearing. They haven't replied to the letter sent to them by us. Bhagnanis came to us in April, we recorded their statements, collected the required documents. Netflix asked for some time, but aaye hi nahi. Lower level ke staff ko bhej dete hain statement ke liye, but it is Monica Shergill (Content Head, Netflix India) who should appear." When asked about Netflix’s counter claim on Bhagnanis as per their media statement, he adds, "I am not aware about what statement Netflix has issued, but aisa kuchh nahi hai."

Vashu Bhagnani, says "We registered the case against Netflix in April. We have full faith in the EOW to resolve the matter.”

The Context

Vashu Bhagnani, in his complaint filed in April 2024, claimed that Netflix ‘conspired against the rights’ of his three films - Hero No 1 (yet to be fully shot), Mission Raniganj and Bade Miyan Chote Miyan. He filed a complaint against Los Gatos Production Services India, through which Netflix reports its content investments in India, Zoo Digital India and against executives of both companies. Netflix, in its response, issued a spokesperson statement on Wednesday. (See box).

Meanwhile, a source privy to the developments in the case tells us on condition of anonymity, “Bhagnanis have been in the industry for over 40 years, and right now they feel the entire industry is not supporting them through their rough patch. While they have suffered heavy losses, their last film’s director (Ali Abbas Zafar; Bade Miyan Chhote Miyan) has taken over 14 crores of their money, for which they have lodged a police complaint. They are willing to repay everyone's pending dues, at least they should get their dues first in order to do it.”

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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