Louvre hosts first retrospective of French master Delacroix in half a century. See pics
Some 200 works, including watercolours, lithographs and religious art, as well as intimate journals show the profound influence Delacroix had on world painting.Updated: Mar 28, 2018 11:15 IST
He’s one of French art’s most famous — but least understood — masters. Now the Louvre in Paris is seeking to reinterpret the work of Eugene Delacroix in a retrospective that goes beyond the brief years in which he painted his most recognizable masterpieces, such as Liberty Leading the People, which has graced postage stamps and bank notes in France as well as a Coldplay album cover. Alongside the Mona Lisa, Delacroix’s famed image of a bare-chested revolutionary woman brandishing a flag and bayonet, from 1830, is the Louvre’s most visited painting.
Visitors who know little about Delacroix’s extensive career will be enlightened in the Louvre’s show entitled Delacroix 1798-1863, which opens Thursday. “Delacroix is the world’s greatest Romantic painter. His painting is one of the two most iconic works here. Yet, he remains a mystery,” said Sebastien Allard, Painting Director at the Louvre. “There was so much, so much more after the 10 years when he produced his most famous paintings. And we are showing his near-complete works for the first time since 1963,” he added.
Allard said some 200 works, including watercolours, lithographs and religious art, as well as intimate journals show the profound influence Delacroix had on world painting. A painter obsessed with light and colour, he was one of the first artists to paint mixed-race models to capture the unique luminosity of the skin. Instead of painting green, Delacroix would paint two dots — one blue, one yellow — next to each other and let the spectator’s eye do the rest.
The exhibit demonstrates how he was an avid experimentalist, inspiring many after him. Pablo Picasso reproduced Delacroix’s Women of Algiers, and his pioneering techniques were also seized upon by Impressionists such as Claude Monet and Paul Cezanne. Delacroix has, over the decades, found international fame — including in the United States, from where around 40 of the works were loaned for this show.
However, the sheer size of many of the dramatic oils — up to and over 260cm by 325cm (102in by 128in) — has prevented the movement of the work around the world. “Delacroix loved the Louvre, and here really is the only place you can see one of the greatest artists of all time,” Allard said. The Delacroix retrospective runs until July 28, and will be show in the Metropolitan Museum of Art in New York in the fall — minus the larger works.
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