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Lights, camera, station: Rlys opens platforms for film shoots

NER Lucknow Division earns ₹10.36 cr from 18 film, short-film and documentary shoots since 2018, by opening up its stations, coaches and coaching depots as commercially hired film locations

Published on: Sep 3, 2026, 08:19:10 IST
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LUCKNOW Bollywood and OTT productions have found another set of platforms in Lucknow, its railway stations. The North Eastern Railway (NER) Lucknow Division has earned 10.36 crore from 18 film, short-film and documentary shoots since 2018, by opening up its stations, coaches and coaching depots as commercially hired film locations.

According to railway documents accessed by HT, Lucknow City railway station has been the biggest draw, accounting for nine of the 18 productions filmed on railway premises in the division. The list includes Bareilly Ki Barfi’, ‘Jabariya Jodi’, ‘Pati Patni Aur Woh’, ‘Mission Majnu’, ‘Bhaiyya Ji’ and ‘Control’, among others. (Pic for representation)
According to railway documents accessed by HT, Lucknow City railway station has been the biggest draw, accounting for nine of the 18 productions filmed on railway premises in the division. The list includes Bareilly Ki Barfi’, ‘Jabariya Jodi’, ‘Pati Patni Aur Woh’, ‘Mission Majnu’, ‘Bhaiyya Ji’ and ‘Control’, among others. (Pic for representation)

According to railway documents accessed by HT, Lucknow City railway station has been the biggest draw, accounting for nine of the 18 productions filmed on railway premises in the division. The list includes Bareilly Ki Barfi’, ‘Jabariya Jodi’, ‘Pati Patni Aur Woh’, ‘Mission Majnu’, ‘Bhaiyya Ji’ and ‘Control’, among others.

In 2023, the shoot of Manoj Bajpayee-starrer ‘Bhaiyya Ji’ at Aishbagh Coaching Depot fetched the division 14.17 lakh, the highest collection from an individual shoot during the period.

The railway has a formal tariff and permission system for filmmakers. A feature film shoot at an X category station costs 2 lakh a day, while 1 lakh and 50,000, respectively, are charged for Y and Z category stations. Documentary shoots are charged at 1.5 lakh, 75,000 and 37,500 in the three categories.

Production houses can also hire a moving train for filming. A configuration comprising an engine, four coaches and an SLR costs 4.74 lakh a day for non-AC coaches, with additional charges for AC coaches. Each additional coach attracts a further charge.

NER PRO Mahesh Gupta said: “Railway premises offer diverse locations, from heritage stations to modern infrastructure and production houses can book them by following the prescribed permission and safety norms.”

The costs, however, do not end with the booking fee. Filmmakers shooting at a station must provide 5 crore group insurance cover and a refundable security deposit of 5 lakh. Where a train is involved, the insurance requirement rises to 20 crore and the refundable security deposit starts at 2.5 lakh.

Permission for feature films and documentaries is granted through the NER headquarters in Gorakhpur. Production houses have to submit the script and cast details and sign an agreement with the railways before filming.

There are also clear limits on what can be filmed. Shooting on railway tracks, coach footboards and around moving engines and coaches is prohibited, if it compromises railway safety or operations. Filming cannot disrupt passengers, railway staff or train movement.

 
ABOUT THE AUTHOR
Shikhar Shukla

Shikhar Shukla is a Correspondent with the Hindustan Times based in Lucknow, where he covers transport, crime, and urban affairs across the state capital. He is known for in-depth ground reports on public transport, road safety, railways, civic infrastructure, law enforcement, and other issues that directly affect citizens. His work combines accountability journalism with reader-focused storytelling, prioritising public interest and factual accuracy. Born and raised in Lucknow, Shikhar is an alumnus of the Indian Institute of Mass Communication (IIMC), New Delhi. He began his career with TV9 in Delhi, later worked with the News18 network, and joined the Hindustan Times in Lucknow in 2026. Prior to this, he served as a Sub Editor at TV9 Digital and as a Content Producer at News18 in Delhi, where he handled digital news production, script writing, voice-overs, video production, and multimedia storytelling in fast-paced newsroom environments. With solid experience in both digital and print journalism, Shikhar focuses on delivering accurate, impactful, and reader-centric reporting. His stories highlight governance, public policy, and everyday civic concerns while upholding the highest standards of factual integrity and editorial responsibility.

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