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Anupam Kher: Today, Indian cinema is not dependent on a certain kind of hero

Actor Anupam Kher talks about finding good work even after the age of 60, and what defines a ‘hero’ today.

Updated on: Apr 4, 2023, 12:46:56 IST
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534 films, let that sink in. That’s the number Anupam Kher has touched in his career, and he recently announced his 535th film, a Kannada project titled Ghost with Ravi Teja.

Actor Anupam Kher has signed his 535th film. (AFP)
Actor Anupam Kher has signed his 535th film. (AFP)

And shooting down the notion that actors stop bagging meaty roles after a certain age. “Choosing roles is a luxury now. We have young writers writing stories for people who are above 60. Fantastic things are happening. I did a film recently called The Signature, it is a love story made by a Marathi director Gajendra. I have signed one-two more films. There’s a film I have done with Vidyut Jammwal. Then there’s Satish Kaushik’s Kaagaz 2, and Emergency. I am challenging myself in different ways,” he says.

The 68-year-old emphasises on stories revolving around people of his age group, and not being neglected. “New scripts are written, and they are not by 70-year-old screenwriter, they are coming from 30-year-old writers. Today, Indian cinema is not dependent on a certain kind of hero. I recently got an award for Best Actor!,” says Kher.

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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