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Bhooth Bangla makers react to unpaid dues allegations by vendors amid box office success

In a recent report, several vendors associated with the film alleged that their payments are still pending despite Bhooth Bangla's theatrical success.

Published on: May 8, 2026, 07:08:03 IST
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Even as Akshay Kumar and Priyadarshan’s horror-comedy Bhooth Bangla continues to enjoy a good run and positive word-of-mouth at the box office, the film recently found itself caught in the middle of a controversy. Several vendors claimed that their payments were still pending despite the movie’s success. Amid the allegations, the makers have now broken their silence to clarify their stand.

Bhooth Bangla issues clarification

Akshay Kumar's Bhooth Bangla was released on April 17.
Akshay Kumar's Bhooth Bangla was released on April 17.

According to a Mid-day report, several vendors associated with the film have alleged that their payments are still pending despite the film's theatrical success. In the report, one vendor claimed that the makers owe him close to 30 lakh in fees, stating, “Payments are getting stuck for months. Once the film releases, it becomes difficult to get the money out. The 90-day invoice clearance has become a thing of the past.” Another member claimed that he has been waiting months to be paid their fee of 18 lakh.

Additionally, the report also claimed that writer Pranjal Kriplani has apparently sent producers Alok Kumar Chaubey and Sanjay Gupta a legal notice, accusing them of failing to clear dues of 50,000 owed to him.

“Balaji Telefilms Limited has fulfilled all its contractual payment obligations in relation to various projects undertaken by the company,” said the production house in a statement to Mid-Day.

More about Bhooth Bangla

Directed by Priyadarshan, Bhooth Bangla marks the director’s return to Hindi films after five years. It is also his first collaboration with Akshay Kumar in 14 years.

The horror-comedy revolves around London-based Arjun (Akshay) and his sister (Mithila), who unexpectedly inherits a fortune and a palace from their grandfather. Arjun travels to Mangalpur, India, to prepare the palace for his sister’s wedding. However, the village is plagued by a chilling legend—no wedding is ever completed, as a mysterious entity named Vadhusur abducts brides. What unfolds next forms the crux of the story, blending humour with supernatural elements.

The film features Akshay Kumar in a dual role, alongside Wamiqa Gabbi, Rajpal Yadav, Tabu, Paresh Rawal and Asrani in key roles. While the film received mixed reviews from critics, audiences have enjoyed seeing Akshay return to his signature comic style. The film was released in theatres on April 17 and has since grossed over 231 crore worldwide.

With this, Akshay Kumar became the only Indian actor to have 20 films in the 100 crore club. Recently, the film’s producer, Ektaa Kapoor, expressed her gratitude to Priyadarshan for delivering what she called the “biggest hit” of her career.

 
ABOUT THE AUTHOR
Sugandha Rawal

Sugandha Rawal has been writing about entertainment and lifestyle for over 13 years, and if there's one thing that's kept her going, it's a genuine love for storytelling. She completed her graduation in Journalism from the University of Delhi and went on to earn her Master of Media from IP University. Beginning her career in the fast-paced environment of news wire reporting, she learned the art of accuracy, speed, and storytelling under pressure. She later expanded her horizons in print journalism, where she honed her feature-writing skills and developed a keen eye for detail and narrative depth. These days, she's firmly rooted in digital journalism, adapting and evolving with a media landscape that never sits still. Over the years, Sugandha has covered everything from Bollywood and celebrity culture to wellness trends and lifestyle shifts. She enjoys spotting the drama behind headlines, the emotion behind interviews, and the details that others might miss. When she is not chasing the latest entertainment update or lifestyle trend, you will find her observing the cultural shifts that shape the stories we consume every day.

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