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Deepa Bhatia: When I started film editing, people would say ‘you must be the assistant’

Film editor Deepa Bhatia says there are only good and bad editors, and gender or age doesn’t play any role.

Published on: Mar 27, 2022, 01:00:36 IST
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She has been the editor behind several acclaimed films such as Taare Zameen Par (2007), Rock On!! (2008), Stanley Ka Dabba (2011), among others. Deepa Bhatia says her profession is a department which many people would do a double take, accepting that a woman could also do it.

Film editor Deepa Bhatia is currently working on a feature film script of her own.
Film editor Deepa Bhatia is currently working on a feature film script of her own.

“I started relatively young. I was a girl, plus young, so people in the industry would think ‘oh, she is not the editor, she must be the assistant’ I faced that, not discrimination. I was very privileged that I learnt under Govind Nihalani. It was a homely, encouraging, nurturing environment in the office,” recalls Bhatia.

Wife of filmmaker Amol Gupte, she adds that apart from these (gender) stereotypes, she was given the opportunity to learn.

She continues, “I was allowed to find myself, discover my own potential. I was not hassled or critiqued for being a woman. I have always maintained there are good editors and bad editor, there is no other difference. I am fortunate in terms of that. Occasionally age might have been pointed out, like maybe I am just an assistant, but it was not harsher or tougher.”

She goes on to call the film industry an encouraging place. “That way, it has been good. I was lucky to have those experiences. But there are women who share different stories,” asserts Bhatia.

Apart from editing, she has been busy with a host of work in different fields. Currently, she has worked on a non-fiction show for a major streaming platform.

She reveals, “I have directed it, I am in the middle of finishing a shoot for that. Then, I am editing an OTT show for Ashim Ahluwalia, so delivering on that. At the same time, I am also writing and working on a feature script. I am choosing my editing projects very cautiously.”

  • Rishabh Suri
    ABOUT THE AUTHOR
    Rishabh Suri

    Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.Read More