Nitesh Tiwari's Ramayana is a hit in all countries where the epic is ‘history’; sets records in Indonesia, Vietnam, Nepal
Ramayana's overseas collections have been propped up by record-breaking collections in Asian countries familiar with the epic.
Nitesh Tiwari’s Ramayana has been a roaring success at the box office in its opening week. After a subpar start for a film of its scale, Ramayana took off in the post-Diwali break in India, soaring to ₹1000 crore in eight days. However, while the performance in India was always expected to be big, Ramayana has hit it out of the park in many Asian territories where the epic is part of culture and history.

The Ramayana originated in India, with Valmiki’s version being the most popular and among the first to descend from the original oral traditions. But worldwide, there are 300 versions of the epic, including localised versions in parts of Southeast Asia and Sri Lanka. Valmiki’s Ramayana and Tulsidas’ Ramcharitmanas are also popular in Hindu-majority Nepal. In all these countries, the new film adaptation has taken a record start.
Ramayana soars in Southeast Asia
The Ranbir Kapoor and Yash-starrer had its premiere in Indonesia on November 11, six days after its worldwide release. According to local trackers, the film minted $100k (just under ₹1 crore) through its premiere, the best start for an Indian film in the country. The Ramayana has existed in the country for over 1900 years, with localised versions such as the Kakawin Ramayana, the Balinese Ramakavaca, and the Hikayat Seri Rama, all centuries old.
Deep Dive
Similarly, Thailand has strong cultural associations with the epic. During the Khmer Empire, Emperor Rama I compiled a local version of the epic, called the Ramakien. Here, Nitesh Tiwari’s adaptation has earned just under $1 million ( ₹9 crore) in a week, one of the best performances by an Indian film ever. In Cambodia, home to the largest Vishnu temple in the world, Ramayana is called Reamker and is part of the school syllabus. This connection gave the film a $150K opening weekend in the country, again the best for an Indian film. In neighbouring Malaysia, too, Ramayana Part One has been a stupendous success, raking in $900K ( ₹8 crore) in under a week.
Ramayana’s sensational run in Vietnam
But these are places where Indian films traditionally perform well at the box office. Ramayana’s success is evident in how sensational it has become in Vietnam. The country isn’t known to be a big market for Indian films, which struggle to cross $20K ( ₹15-18 lakh) there. Ramayana shattered that mark on its first day and has already earned $350K ( ₹3 crore) in the country. Vietnam boasts of several Hindu temples because it was governed by the Champa dynasty for 1500 years, which embraced Hinduism and Buddhism. The country has a 1300-year-old temple dedicated to the sage Valmiki, the traditional author of the Ramayana. In Vietnam, the Ramayana is taught as part of the world literature curriculum in both high schools and universities, rather than as a religious text.
The Nepal breakthrough
Nepal is a market where Indian films have traditionally done well. The big tentpole Indian films are always among the most successful films in the mountain country, often out-earning local films. Even by those standards, Ramayana’s run has been historic. The film has earned NPR 12.80 ( ₹8 crore) in its extended opening week. This already makes it the sixth-highest-grossing Indian film in the country, surpassing the final collections of RRR, Pathaan, and Jawan. It should beat the all-time record of Baahubali 2 (NPR 25.20 crore) in the coming week.
Ramayana's global run
Directed by Nitesh Tiwari and produced by Namit Malhotra, Ramayana is the first part of a duology. The most expensive Indian film ever produced, the film has earned ₹564 crore net in India in eight days, and over $38 million overseas.
The film stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, and Ravie Dubey as Lakshman. The second part is set for a Diwali 2028 release.
ABOUT THE AUTHORAbhimanyu MathurAbhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More
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