Sikandar box office collection day 11: Salman Khan's film struggles to gain momentum, crosses ₹105 crore

Sikandar box office collection day 11: Salman Khan's Eid release has failed to ignite the box office and received a muted response.

Sikandar box office collection day 11: Despite being one of the most highly anticipated films of the year, Salman Khan's Eid release failed to live up to the hype and got a lukewarm response at the box office. As per the latest report on Sacnilk.com, after 11 days of release, the film has managed to cross ₹105 crore. (Also read: Is Sikandar a hit or flop at the box office? Decoding what the collections of Salman Khan's film say)

Sikandar box office update

Sikandar box office collection day 11: The Salman Khan-starrer was criticised for its direction and performances.

The report states that Sikandar collected around ₹ 1.19 crore on day 11, as per early estimates. The total collection of the film now stands at ₹ 106.94 crore. Sikandar opened at ₹26 crore, which was far less than Chhaava's ₹31 crore haul. By the end of its first week, Sikandar managed to collect ₹90.25 crore. The second week has dimmed down significantly so far for the film. Day 11 collections are the lowest single-day numbers for the film yet.

Sikandar is facing tough competition from another release, Mohanlal-starrer L2: Empuraan, which has been staying steady at the box office despite controversies surrounding the subject matter of the film.

About Sikandar

Meanwhile, Sikandar has managed to cross the ₹200 crore club at the worldwide box office. The makers of the film updated the numbers on Tuesday, thanking fans for the love towards the film.

An excerpt from the Hindustan Times review of the film read, “Salman still owns action scenes like a boss. You know he means business when he merely stands in a battlefield. Yet, Murugadoss’ direction is so below average, that it makes Salman appear even weaker an actor than he really is. And then there is Rashmika, whose dialogue delivery problems persist. She’s unconvincing, and virtually no scene allows her to redeem herself.”