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Sudhir Mishra defends Ranveer Singh’s Dhurandhar against propaganda label: ‘Make a powerful film…’

When a social media user said that Aditya Dhar’s Dhurandhar is a “propaganda”, Sudhir Mishra responded with a measured and calculated reply.

Published on: Jan 2, 2026, 07:33:06 IST
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Filmmaker Sudhir Mishra acknowledged that his sensibilities come from a very different school of cinema than Aditya Dhar’s Dhurandhar, but that didn’t stop him from praising the Ranveer Singh and Akshaye Khanna–starrer spy thriller. He applauded Aditya’s choices in casting and the film’s execution, and defended against the propaganda label.

Sudhir Mishra praises Aditya Dhar

Sudhir Mishra took to X, formerly known as Twitter, to praise Aditya Dhar and his film Dhurandhar.
Sudhir Mishra took to X, formerly known as Twitter, to praise Aditya Dhar and his film Dhurandhar.

The filmmaker took to X, formerly known as Twitter, to praise Aditya Dhar and his film Dhurandhar. It began when one social media user asked whether any filmmaker from Indian cinema will make a film on the Unnao rape case.

Responding to this, Sudhir wrote, “One of us has the guts. There is a film. You’ll see it soon. Also please stop lumping us all under one brand, called Bollywood. We belong to the Indian Film Industry and we are all different. By the way Dhurandhar is a well made film . Aditya Dhar is extremely skilled.”

“The acting is terrific. The most difficult thing in film making is a directors ability to make us , the audience smell the place and Aditya Dhar with the help of his brilliant Cinematographer and Production Designer manage to do just that. The casting , including the minor parts is bang on. I am of course, a filmmaker, from another school,” he added.

The social media user wrote, “Dhurandhar is a propaganda sudhir Sir, with an evil intent to monetise on pop nationalism & sectarian mindset.” To this, Sudhir replied, “Make a powerful film , with all the virtues of a great cinema experience which counters it.”

Dhurandhar wins box office game

Helmed by Aditya Dhar, the spy action thriller is the first instalment of a two-part film series. It tells the story of an Indian spy infiltrating Karachi’s criminal and political underworld in Pakistan. The plot weaves together several real-life events involving geopolitical tensions, such as the 1999 IC-814 hijacking, the 2001 Indian Parliament attack, the 2008 Mumbai attacks, and events surrounding Operation Lyari. The film has crossed 700 crore in India, and minted over 1117 crore worldwide. The film’s sequel will be released in theatres on March 19, 2026, and will clash with Yash’s Toxic.

 
ABOUT THE AUTHOR
Sugandha Rawal

Sugandha Rawal has been writing about entertainment and lifestyle for over 13 years, and if there's one thing that's kept her going, it's a genuine love for storytelling. She completed her graduation in Journalism from the University of Delhi and went on to earn her Master of Media from IP University. Beginning her career in the fast-paced environment of news wire reporting, she learned the art of accuracy, speed, and storytelling under pressure. She later expanded her horizons in print journalism, where she honed her feature-writing skills and developed a keen eye for detail and narrative depth. These days, she's firmly rooted in digital journalism, adapting and evolving with a media landscape that never sits still. Over the years, Sugandha has covered everything from Bollywood and celebrity culture to wellness trends and lifestyle shifts. She enjoys spotting the drama behind headlines, the emotion behind interviews, and the details that others might miss. When she is not chasing the latest entertainment update or lifestyle trend, you will find her observing the cultural shifts that shape the stories we consume every day.

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Catch every big hit, every wicket with Crickit, a one stop destination for Live Scores, Match Stats, Infographics & much more. Explore now!.

Get more updates from Bollywood, Taylor Swift, Hollywood, Music and Web Series along with Latest Entertainment News at Hindustan Times.
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