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Ammy Virk: No double meaning humour in my films, as tomorrow my daughter can ask ‘papa what is this?’ if it's there

Actor Ammy Virk talks about clean comedy, and why he isn't bothered even if all he is offered, are comic roles.

Published on: Oct 30, 2025, 08:31:06 IST
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In a decade-long acting career, Ammy Virk has moved effortlessly between Punjabi and Hindi films. While Punjabi cinema has allowed him to experiment with diverse roles, his Hindi outings, from Khel Khel Mein to Bad Newwz (both 2024), have largely showcased his comic side.

Ammy Virk
Ammy Virk

Does he feel Bollywood still tends to treat Punjabi actors as comic relief? “Comedy koi chhota kaam toh nahin hai. But experiments have started. Diljit Dosanjh paaji has done Amar Singh Chamkila (2024). It’s not like we can’t do serious roles. I’ve done those in Punjabi films like Qismat and Harjeeta (both 2018), which also won the National Award. It depends on the kind of film really today,” he says.

On maintaining the fine line between clean and double-meaning humour, Ammy is clear. “Humein voh line rakhni padhegi. I have a daughter, tomorrow she can ask me, ‘Papa, what is this?’ after seeing such content. I’ve done 30–35 films, and I don’t think even one has a double-meaning line,” he says, adding, “It’s not just about what I speak, even words like ‘saala’, we remove wherever possible, even though it refers to brother-in-law. Anjaane mein shayad bol diye honge career ki beginning mein, par ab avoid hota hain.”

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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