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Netflix responds to plagiarism allegation on Squid Game by Luck director Soham Shah, here's what it says

Netflix, sued for it's global hit Squid Game allegedly copying Soham Shah's 2009 Hindi film Luck, responds.

Published on: Sep 14, 2024, 14:21:17 IST
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ln a surprising turn of events, filmmaker Soham Shah has taken the step of suing streaming platform Netflix- for allegedly ripping off his 2009 film Luck, and making it into Squid Game. And Netflix has denied the allegation to us.

A still from Squid Game (L), Luck (R)
A still from Squid Game (L), Luck (R)

“This claim has no merit. Squid Game was created by and written by Hwang Dong Hyuk and we intend to defend this matter vigorously,” says the Netflix spokesperson.

According to documents accessed by TMZ, the director is claiming that his film, starring Sanjay Dutt, Imran Khan, Shruti Hassan, and many more names, revolved around a group of people who play deadly games to win a jackpot, trying their luck. As each player dies, the prize money keeps increasing. Squid Game, too was a runaway hit show, about people who are desperate for money, and agree to participate in a reality show for the ultra rich. They play games which results in their death if they lose. And the prize money keeps increasing here as well.

We reached out to Soham but our efforts weren’t met with a response till the time of going to press.

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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