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Nikkhil Advani opens up on Freedom at Midnight reception, Kal Ho Naa Ho re-release, Vedaa box office setback

Nikkhil says the response to Freedom At Midnight has been gratifying. About KHNH, he says he's pleasantly surprised that it still remains in people's hearts.

Published on: Dec 8, 2024, 10:40:01 IST
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Nikkhil Advani’s year has been an interesting blend of the past and the present. Currently, the director is basking in the reception that his latest project, show Freedom at Midnight has been receiving.

Nikkhil Advani's debut directorial was Kal Ho Naa Ho.
Nikkhil Advani's debut directorial was Kal Ho Naa Ho.

“The response to Freedom... has been gratifying. Friends, colleagues and people who otherwise watched it reached out to me. They send me messages like, ‘My grandfather was there at the partition, or my father kept talking about it’,” he shares.

Also read: Nikkhil Advani admits he bullied Karan Johar in school: ‘Today he can…'

Coupled with this is the fact that his debut directorial Kal Ho Naa Ho (2003), has been re-released in theatres 21 years later. And Advani is “pleasantly surprised”: “What can I say? It’s just incredible. People have been sending me videos of viewers dancing and singing in the theatres. Full credit to (filmmaker) Karan Johar for actually doing such a wonderful re-release. Every time I go anywhere, people recognise me as someone who made that film.”

Advani also had another release this year, the hard-hitting thriller Vedaa, starring Sharvari and John Abraham. It didn’t notch up the numbers, and the filmmaker admits: “It was not what I wanted or expected. But Sharvari got incredible love for Munjya and Vedaa, while John was finally taken seriously as an actor... [so] I feel very happy.”

Interestingly, Advani has also been in the news for his alleged sour equation with director Milap Zaveri, who helmed Satyamev Jayate 2. It was reported that Zaveri claimed Advani had “washed his hands off him”. Probe the latter on this and he replies, “I haven’t read those statements, but Milap did call me and clarified that he had been misquoted.”

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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