Review of The Silliest Autobiography in the World by PG Bhaskar | books$reviews | Hindustan Times
Today in New Delhi, India
May 23, 2017-Tuesday
-°C
New Delhi
  • Humidity
    -
  • Wind
    -

Review of The Silliest Autobiography in the World by PG Bhaskar

 This self-confessedly silly autobiography is an entertaining read

books Updated: Feb 18, 2017 08:02 IST
Saaz Aggarwal
the Rajan effect

PG Bhaskar’s book sometimes mimics a time capsule; a book version of the one that Prime Minister Indira Gandhi embedded at Red Fort on 15 August, 1973.(HT Photo)

Finally, a book that really does deserve to go into a time capsule, carefully placed in a steel cylinder and buried deep into the earth to await eager historians from future generations or from outer space. Before this, Bhaskar wrote two books which mysteriously turned out to be both modestly-successful as well as best-selling. Somehow, he remained unknown to billions. Now he has written a silly autobiography but structured it meticulously. Bhaskar, the son of an LIC ‘odditor’ and himself a fully-qualified chartered accountant, opens with a chapter called 1963, by a fascinating coincidence, the very year in which he was born! The next chapter is 1964, then 1965, then 1966, and all the way up to 2015. Through the life experiences of the unknown Bhaskar, the eager historian of the future will learn how people lived between 1963 and 2015, especially those who lived in Madras, Udupi, Delhi, Bombay, Coimbatore and, erm, Dubai. They will also obtain some mildly useful information about movies, cricket, politics and entertainment. From an anthropological perspective, Bhaskar gives an insight into transitions in his world. To begin with, people would hang onto their toothbrushes, discarding them only after the bristles began to resemble a strip of savannah grassland that had been viciously trampled upon by a herd of stampeding elephants. They would stealthily pocket cutlery from aeroplanes. Then, as the socio-economic environment advanced, they began buying whole sets of crockery which sadly did not last as long as the stolen cutlery. They developed quaint professional rites of passage called ‘mini-offsites’ at which overpaid bank officials engaged with ‘escorts’ and later, exposed on Facebook, bought expensive presents to placate their enraged spouses.

At a personal level, Bhaskar reveals himself as one who, to the great merriment of his friends and classmates, faints. He faints quite often! Let us hope he is not going to faint when he reads this review. Or, perhaps the friends could get together and sell tickets in anticipation.

While this book could emerge winner in a time-capsule competition, it could also gain esteem as entertainment to the present-day reader. I was laughing very loudly, and my husband, lying in bed next to me and waiting for his turn, became increasingly agitated, muttering to himself, “Who is this Bhaskar! Wait till I get my hands on him,” etc.

To be honest, I started cackling away right from the dedication which is really very funny. Towards the end of the book, there is an explanation which I was glad to read, because without it the dedication would have remained a mystery to the future historian unless Bhaskar’s publishers had contrived to also squeeze a c1980s telephone directory into the capsule to provide context. It occurred to me that the enterprising publishers might also want to introduce footnotes for the puzzled historians wondering why the trend of women taking to the study of economics in droves should be called The ‘Rajan’ Effect. And how come, when the family driver in Udupi was Bhavani Shankar, in Delhi too the family had a driver with the same name! And the ‘household help’ in Chennai was also called Bhavani! Could this be coincidence? Or was Bhavani a generic of Bhaskar’s time? So – footnotes, please, dear publishers.

The 1970s, which naturally features in Bhaskar’s autobiography that runs all the way from 1963 to 2015, was a time-capsule obsessed decade. Here’s one being buried by members of the Janata Party at Red Fort on 01 November, 1977. (Ajit Kumar/HT Photo)

There are also long passages where the humour lags and verses which strike a wrong note. So, to end, a minor stricture for the author from an almost-fan of somewhat similar vintage and demography:

Bhaskar: your poems are not short or too long
But they’re neither doggerel nor ditty nor song.
Your ‘limericks’ rhyme
And the jokes are just fine
But the metre, old chap, is all wrong.

Saaz Aggarwal is the author of Sindh — Stories from a Vanished Homeland