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Kriti Sanon steps into 2026 with her 20th Hindi film, Cocktail 2: Every film is so different…

Following the success of Tere Ishk Mein, Kriti Sanon looks forward to her 20th Hindi film, Cocktail 2, and says she isn't taking any pressure about the numbers.

Published on: Jan 2, 2026, 11:31:42 IST
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She’s ushering in the new year, still basking in the success of her 2025 film Tere Ishk Mein. For Kriti Sanon, it fetched her not just good reviews for her performance, but also big box office results. In 2026, she looks forward to her 20th Hindi film release after making her debut with Heropanti (2014) - Cocktail 2.

Kriti Sanon
Kriti Sanon

Point it out to her, and she exclaims, “Is it?! I always miss out (on such milestones), thank you for letting me know!” As an actor, does the success of her last film put pressure on her, that her next should replicate or surpass the last one anyhow? She denies, “No, I don’t take that pressure. Every film is so different, you cannot expect everything to kind of pull the same kind of audiences.”

Also read: Kriti Sanon on response to Tere Ishk Mein: Love is overwhelming; like a painting, everyone looks at cinema differently

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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