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New York Fashion Week: Carolina Herrera's new line melds blooming peonies, bright colours and chic, wearable looks

Published on: Feb 13, 2024, 13:31:54 IST
Carolina Herrera Creative Director Wes Gordon said he saw the flower — one of his favourites — on an art piece and wanted to translate it to his designs. (AP)
Carolina Herrera Creative Director Wes Gordon said he saw the flower — one of his favourites — on an art piece and wanted to translate it to his designs. (AP)
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During Carolina Herrera's showcase at New York Fashion Week, peonies, bright colours and chic, wearable looks dominated the ramp.

A single pink peony greeted each guest at Carolina Herrera's latest fashion show, which celebrated the flower with splashy prints and detailed embroidery. Monday's New York Fashion Week show was held on the 40th floor of a downtown skyscraper, with 360-degree views of Manhattan serving as the perfect backdrop for a fall/winter collection of bright colours in unconventional combinations, and striking gowns in sumptuous fabrics.

(Also Read | New York Fashion Week: Pregnant model, mom with a baby, and a trans physically disabled model rule Collina Strada show)

Peonies made several appearances on the catwalk, too. An A-line grey wool collarless coat had pink peonies of varying sizes splashed over it, while a shorter white wool cape was adorned with similar detailed pink and yellow peony embroidering.

Herrera Creative Director Wes Gordon said he saw the flower — one of his favourites — on an art piece and wanted to translate it to his designs. “Beauty and elegance are about the details, and we need more beautiful details in the world,” Gordon told The Associated Press after the show.

There were several more casual, bright yellow gathered chiffon dresses with peony designs. But two of the most dramatic looks were chiffon ball gowns — one in light pink and another in deep purple — covered in darker pink peonies with multiple layers of giant printed chiffon ruffles, accenting the neckline or hips.

Gordon said his creative process this season started with creating unusual color combinations within specific graphic designs and architectural looks. Two dresses down the long runway were strapless gowns with pockets — one in a bright red, and another with broad diagonal color blocks of black and white.

“I wanted to push forward how we color blocked and incorporate the accessories as well,” Gordon said. He pointed to one model wearing a skinny black pant with built-in pink cummerbund and purple merino wool turtleneck. The look included a leather sling back shoe with the Herrera-red pattern. “You have this red speaking to this cool pink and the warm purple and it’s something really beautiful that results.”

Most of the models wore their hair tied into a tight bun with bright red lipstick accenting their clothes, as they marched slowly down the runway to the score from the new TV series “Griselda,” and Beyonce’s “Halo.”

Diane Kruger sat in the front row with Demi Moore, Anna Wintour, Becky G , Misty Copeland, and Julianne Hough.

Kruger said she’s always appreciated Herrera’s “true American fashion” and called the clothes “very wearable.”

“You know, with this uptown flair that she has — it’s for all ages. As I get older, I appreciate it even more because I do think it’s very beautifully cut for the female form,” the actor said.

This story has been published from a wire agency feed without modifications to the text. Only the headline has been changed.
 
ABOUT THE AUTHOR
Krishna Pallavi Priya

Krishna Priya Pallavi is a journalist with over 9 years of experience, covering health, fashion, pop culture, travel, wellness, entertainment, festivals, mental health, art, decor, fitness, and sex and relationships. She is an alumna of the Indian Institute of Mass Communication (IIMC), Dhenkanal, and holds an undergraduate degree in Journalism and Mass Communication from Guru Gobind Singh Indraprastha University, Delhi. Her strong academic foundation informs her analytical and detail-oriented approach to storytelling, helping her uncover stories where none seem to exist. Before joining Hindustan Times, Pallavi worked with some of India’s leading media organisations. She spent close to three years at India Today, where she honed her newsroom skills and developed a sharp editorial sensibility. She also worked for over a year and a half at Vagabomb, ScoopWhoop’s feminist digital platform, where she explored stories through a gender-sensitive, socially aware lens. Pallavi has a deep interest in global fashion trends and international fashion seasons, and enjoys interviewing celebrities and tracking pop culture movements—interests that frequently translate into engaging, reader-friendly stories. Alongside lifestyle and entertainment, she has a keen eye for impactful health and wellness journalism, regularly interacting with doctors, designers, and digital content creators to bring nuance and credibility to her work. Born and raised in Haryana, Pallavi remains deeply connected to her ancestral roots in Odisha. Her ability to spot fresh angles brings curiosity and depth to stories she pursues. When not chasing deadlines, she enjoys spending time with her dog, planning her next vacation, reading, running new trails, and discovering new destinations.

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