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Movie review: Badri's Aadama Jaichomada looks at spot-fixing with a comic turn

What Aadama Jaichomada lacks as a story, it makes up with its treatment. With a threadbare plot about a bookie on the hunt for a bowler, the director weaves a funny tale of deception and guile. After a dud called Thillu Mullu, Badri's new Tamil film serves an ace.

Updated on: Sep 20, 2014, 14:37:57 IST
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Aadama Jaichomada

Aadama-Jaichomada
Aadama-Jaichomada

Cast:

Balaji Venugopal, Karunakaran, Simhaa, Vijayalakshmi, KS Ravi Kumar, Naren, Chetan, Radha Ravi

Director:

Badri

Rating:

3/5 There really isn't a story in Aadama Jaichomada to rave about. It follows a bookie, Dhayalan (Balaji), who plans to buy a bowler ahead of a semi-final cricket match.



A special team headed by Inspector Bhoominathan (Simhaa) has been assigned the case and asked to closely follow Dhayalan, who leads them to Albert, a kingpin in cricket betting. The events that happen during the course of the investigation will leave audiences in splits.



Aadama Jaichomada, at two hours, which I think is the film's biggest strength, attempts to be a crime-thriller as well as a sports-based comedy. But it only succeeds as the latter, and fails to do justice to the former form.



But considering how efficiently has used the comedy angle in his story, one should ignore minor flaws.



Badri's attempt to address a controversial subject with humour is refreshingly creative. The comedy is born out of situations, neatly woven together as part of the screenplay.



Like this scene where Vijayalakshmi, who plays Karuna's (Karunakaran) love interest, talks about her obsession with living in a house with an attached bathroom because all her life she's stood in long queues outside a common bathroom.



Another scene to watch is when K.S. Ravi Kumar narrates the Anattamai story. It's scenes like these that hold the film together and keep us entertained.



Also watch: Aadama Jaichomada trailer





Badri uses the comedy genre far too well than several of his counterparts. He does include a few cinematic cliches, like two boring duets, but he delivers a film that's mostly entertaining.



His last film Thillu Mullu, an eponymous remake of a cult classic, was a dud, but he doesn't repeat the same mistake in his latest film, which shows how humour can be used deftly to address a bigger issue without being preachy.



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