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You have to sugar coat socially relevant messages: Sameer Patil

Director Sameer Patil’s next project, Marathi television show titled Navri Mile Navryala on Sony Marathi, merges a socially relevant topic - drought, with entertainment and presents it in an interesting way

Updated on: Sep 24, 2019, 19:51:29 IST
Hindustan Times, Pune | By
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Be it Poshter Girl (2016), Poshter Boyz (2014) or Shentimental (2017), director-writer Sameer Patil has had a knack of presenting socially relevant topics in an entertaining manner. He has managed to very subtly put forth various issues through his writing and direction, without being preachy.

Sameer Patil’s next is a Marathi television show titled Navri Mile Navryala, a new show on Sony Marathi
Sameer Patil’s next is a Marathi television show titled Navri Mile Navryala, a new show on Sony Marathi

“I feel, if you want people to sit up and take notice of an issue, then you have to present it in a manner that is not preachy or authoritative. I choose humour as my way of telling a story. You have to sugar-coat messages while presenting it to an audience,” says Sameer.

Poster of Marathi television show titled Navri Mile Navryala on Sony Marathi

The director is currently working on a Marathi television show, Navri Mile Navryala, that deals with the drought situation in Marathwada, Maharashtra, and a mother, who has four unmarried boys, and more. He says, “I feel making the audience laugh is the most difficult task. You have to give them something attractive. The topic of drought and how young boys are finding it difficult to get partners is a very sensitive topic. So, we decided to have a light-hearted approach.” The story delves into farmers’ issues, drought, problems in a joint family, etc.

He adds that he doesn’t like telling stories that don’t highlight a cause. “Comedy and humour is not only about getting laughs. Charlie Chaplin put forth important messages through his work. I believe in the same funda. Every story should make sense and be interesting,” he says.

Having worked for television and films alike, Sameer is unaffected with the medium of work. He says, “For me, it is all about creating a scene. The medium is not important. As a director, what I am shooting for doesn’t matter, what matters is how I shoot it.”

 
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