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Report: Vedanta Udaipur World Music Festival 2025

Artists from Kurdistan, Chile, Cuba, Morocco, Senegal, Mali, Spain among others performed alongside those from India at the event.

Published on: Feb 19, 2025, 14:13:20 IST
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Hilly terrain and bright sunshine greets me as I land in the City of Lakes for the seventh edition of the Vedanta Udaipur World Music Festival. Held from 7 to 9 February, the event, conceptualized by SEHER, was open to all and featured artists from Kurdistan, Chile, Cuba, Morocco, Senegal, Mali, Spain and others performing alongside those from India.

PREMIUMGrammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, enthralled audiences with a vibrant celebration of Afropop. (Courtesy Vedanta Udaipur World Music Festival 2025)
Grammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, enthralled audiences with a vibrant celebration of Afropop. (Courtesy Vedanta Udaipur World Music Festival 2025)
Ali Doğan Gönültaş and his team brought the rich musical traditions of Kurdistan to Udaipur. (Vedanta Udaipur World Music Festival 2025)

This year’s theme was the preservation and propagation of Rajasthan’s musical instruments and traditions, with a special focus on reviving the

The festival kick-started with an energetic performance by Yaar Mohammad Langa’s Sarangi Orchestra, a 17-musician traditional Rajasthani folk ensemble from Jodhpur. (Vedanta Udaipur World Music Festival 2025)

Next, North-African blues rock band Tiwiza got the crowd grooving and clapping to their rebellious rhythms of berber and chaâbi music, which combined the infectious beats of three percussion instruments, the mandole, the guembri and the takuapu. Grammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, then enthralled audiences with a vibrant celebration of Afropop.

India’s only twin singer-songwriter sisters, Sukriti and Prakriti Kakar, known as SuPra, set the stage on fire with their unique ‘Bolly-pop’ sound. (Vedanta Udaipur World Music Festival 2025)

The headline acts for the opening day included India’s only twin singer-songwriter sisters, Sukriti and Prakriti Kakar, known as SuPra, who set the stage on fire with their unique ‘Bolly-pop’ sound. They captivated the crowd with recreations of some of their favourite songs including Kesariya, Zara Zara, Pehle Bhi Main, Gazab ka Hai Din and their latest single Aa Zara, ending the set with Jhoome Jo Pathan, possibly their biggest hit so far.

Excited chants of “Kanika” filled the air, as the finale for day one got Bollywood playback singer Kanika Kapoor performing her first proper concert in Udaipur. Starting with some of her all-time chart-topping hits, such as Chittiyan Kalaiyan and Baby Doll, she sang a mix of popular Bollywood and Punjabi numbers, such as Saddi Gali and London Thumakda, among others. The crowd showed their appreciation by dancing along.

Rithvik Raja and his group blended classical and modern elements. (Vedanta Udaipur World Music Festival 2025)

Watching the sun rise on the banks of Manjhi (Ambrai) Ghat near the glimmering waterfront of Lake Pichola made for a rather charming setting for soulful early morning music by Rithvik Raja. “We picked compositions that we thought would resonate musically with this ambience, in terms of their meaning or melodic structure,” said the young Carnatic musician who blends classical and modern elements and is accompanied by musicians on the violin, mridangam and ghatam. Starting with the Dhenuka raga, he sang about the grandeur of water, with references to rivers like the Ganga, Kaveri and the Yamuna. Next up was the Delgocha Ensemble from Iran, who played a mix of mesmerizing Persian tunes, consisting of intricate centuries-old melodies and poetry by Khusrau, Rumi and Hafiz.

The picturesque Fateh Sagar Lake made for a majestic background for the afternoon music session that featured Chizai, an innovative pop act from Delhi. The band played interesting original tracks like UKP about their cat, So Far No Good about reality checks, Season 6 Episode 1 about re-parenting oneself, Loop about being stuck and Absence without Official Leave about missing something in one’s life.

Wazis Pounia of Ziskakan, a group from Reunion Island. (Vedanta Udaipur World Music Festival 2025)

Next, Ali Doğan Gönültaş brought the rich musical traditions of Kurdistan and Turkey to life through evocative sounds of the tembûr, acoustic guitar, percussion and clarinet. “Music doesn’t need any language or explanation,” he said, when asked how he adapts his music to India, where he was playing for the first time. The afternoon ended with legendary percussionist Karsh Kale weaving a therapeutic fusion sound along with Swedish guitarist Peter Tegnér. With a distinct lounge vibe, their soothing songs, such as Universe and Return to My Soul had many in the audience tapping their feet, closing their eyes and getting lost in the music.

With just the right amount of chill in the air, the evening music began with renowned Rajasthani singer, composer and multi-instrumentalist Kutle Khan, dressed in a resplendent golden suit, performed a mix of folk and Sufi favourites including Padharo Mhare Des, Waari Jaon and Mast Qalandar. Of course, he got the audiences swaying and waving their arms in the air! The evening closed with pioneering rock band Euphoria, who played in Udaipur after a decade. The band, which has been around for more than 25 years, got the crowds humming along with well-loved tracks such as Dhoom Pichuk, Maaeri and Jugni. And then, just when the mood grew soft, frontman Palash Sen dramatically stripped off his jacket and broke into Jooma Chumma De De, followed by Old MacDonald and We Will Rock You!

The festival ended on a high note with Shaan’s Bollywood set. (Vedanta Udaipur World Music Festival 2025)

The final day started with playback singer Sukriti Sen’s classical ragas, followed by Flamenco music by Luis de la Carrasca and Manuel Gomez from Spain. The afternoon had Kavyaraag Collective performing a combination of poetry and music, inspired by Meera, Kabir, Faiz and Harivansh Rai Bachchan. Next, Los Calchakis from Argentina introduced Andean folk sounds, and Mumbai-based indie music collective, The Western Ghats, blended indie-folk with pop, rock and electronic music. The evening had Faridkot singing Punjabi folk-rock, and KAIA, an all-girl group from Philippines, performing a mix of originals and popular hits. The festival ended on a high note with Shaan’s Bollywood set. “There’s something magical about singing under the open sky, with people coming together purely for the love of music. This event brings such a beautiful mix of sounds and cultures, and I’m already looking forward to coming back!” he concluded.

A freelance writer based in New Delhi, Neha Kirpal writes primarily on books, music, films, theatre and travel.

Hilly terrain and bright sunshine greets me as I land in the City of Lakes for the seventh edition of the Vedanta Udaipur World Music Festival. Held from 7 to 9 February, the event, conceptualized by SEHER, was open to all and featured artists from Kurdistan, Chile, Cuba, Morocco, Senegal, Mali, Spain and others performing alongside those from India.

PREMIUMGrammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, enthralled audiences with a vibrant celebration of Afropop. (Courtesy Vedanta Udaipur World Music Festival 2025)
Grammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, enthralled audiences with a vibrant celebration of Afropop. (Courtesy Vedanta Udaipur World Music Festival 2025)
Ali Doğan Gönültaş and his team brought the rich musical traditions of Kurdistan to Udaipur. (Vedanta Udaipur World Music Festival 2025)

This year’s theme was the preservation and propagation of Rajasthan’s musical instruments and traditions, with a special focus on reviving the sarangi, which embodies the state’s cultural legacy. In line with this, the festival kick-started with an energetic performance by Yaar Mohammad Langa’s Sarangi Orchestra, a 17-musician traditional Rajasthani folk ensemble from Jodhpur. A pink sunset adorned the clear blue sky with a pale moon glistening above, providing a stunning backdrop for the symphonic strains of the sarangi and the clicking resonance of the khartang. “There is no notation or script in our music. These instruments are a tradition in our Langa and Manganiyar families, and children start playing them with from a young age – just like others play with mobile phones and video games,” explained Yaar Mohammad Langa, who has travelled to 84 countries so far.

The festival kick-started with an energetic performance by Yaar Mohammad Langa’s Sarangi Orchestra, a 17-musician traditional Rajasthani folk ensemble from Jodhpur. (Vedanta Udaipur World Music Festival 2025)

Next, North-African blues rock band Tiwiza got the crowd grooving and clapping to their rebellious rhythms of berber and chaâbi music, which combined the infectious beats of three percussion instruments, the mandole, the guembri and the takuapu. Grammy-winning artist from Côte d’Ivoire, Dobet Gnahoré, then enthralled audiences with a vibrant celebration of Afropop.

India’s only twin singer-songwriter sisters, Sukriti and Prakriti Kakar, known as SuPra, set the stage on fire with their unique ‘Bolly-pop’ sound. (Vedanta Udaipur World Music Festival 2025)

The headline acts for the opening day included India’s only twin singer-songwriter sisters, Sukriti and Prakriti Kakar, known as SuPra, who set the stage on fire with their unique ‘Bolly-pop’ sound. They captivated the crowd with recreations of some of their favourite songs including Kesariya, Zara Zara, Pehle Bhi Main, Gazab ka Hai Din and their latest single Aa Zara, ending the set with Jhoome Jo Pathan, possibly their biggest hit so far.

Excited chants of “Kanika” filled the air, as the finale for day one got Bollywood playback singer Kanika Kapoor performing her first proper concert in Udaipur. Starting with some of her all-time chart-topping hits, such as Chittiyan Kalaiyan and Baby Doll, she sang a mix of popular Bollywood and Punjabi numbers, such as Saddi Gali and London Thumakda, among others. The crowd showed their appreciation by dancing along.

Rithvik Raja and his group blended classical and modern elements. (Vedanta Udaipur World Music Festival 2025)

Watching the sun rise on the banks of Manjhi (Ambrai) Ghat near the glimmering waterfront of Lake Pichola made for a rather charming setting for soulful early morning music by Rithvik Raja. “We picked compositions that we thought would resonate musically with this ambience, in terms of their meaning or melodic structure,” said the young Carnatic musician who blends classical and modern elements and is accompanied by musicians on the violin, mridangam and ghatam. Starting with the Dhenuka raga, he sang about the grandeur of water, with references to rivers like the Ganga, Kaveri and the Yamuna. Next up was the Delgocha Ensemble from Iran, who played a mix of mesmerizing Persian tunes, consisting of intricate centuries-old melodies and poetry by Khusrau, Rumi and Hafiz.

The picturesque Fateh Sagar Lake made for a majestic background for the afternoon music session that featured Chizai, an innovative pop act from Delhi. The band played interesting original tracks like UKP about their cat, So Far No Good about reality checks, Season 6 Episode 1 about re-parenting oneself, Loop about being stuck and Absence without Official Leave about missing something in one’s life.

Wazis Pounia of Ziskakan, a group from Reunion Island. (Vedanta Udaipur World Music Festival 2025)

Next, Ali Doğan Gönültaş brought the rich musical traditions of Kurdistan and Turkey to life through evocative sounds of the tembûr, acoustic guitar, percussion and clarinet. “Music doesn’t need any language or explanation,” he said, when asked how he adapts his music to India, where he was playing for the first time. The afternoon ended with legendary percussionist Karsh Kale weaving a therapeutic fusion sound along with Swedish guitarist Peter Tegnér. With a distinct lounge vibe, their soothing songs, such as Universe and Return to My Soul had many in the audience tapping their feet, closing their eyes and getting lost in the music.

With just the right amount of chill in the air, the evening music began with renowned Rajasthani singer, composer and multi-instrumentalist Kutle Khan, dressed in a resplendent golden suit, performed a mix of folk and Sufi favourites including Padharo Mhare Des, Waari Jaon and Mast Qalandar. Of course, he got the audiences swaying and waving their arms in the air! The evening closed with pioneering rock band Euphoria, who played in Udaipur after a decade. The band, which has been around for more than 25 years, got the crowds humming along with well-loved tracks such as Dhoom Pichuk, Maaeri and Jugni. And then, just when the mood grew soft, frontman Palash Sen dramatically stripped off his jacket and broke into Jooma Chumma De De, followed by Old MacDonald and We Will Rock You!

The festival ended on a high note with Shaan’s Bollywood set. (Vedanta Udaipur World Music Festival 2025)

The final day started with playback singer Sukriti Sen’s classical ragas, followed by Flamenco music by Luis de la Carrasca and Manuel Gomez from Spain. The afternoon had Kavyaraag Collective performing a combination of poetry and music, inspired by Meera, Kabir, Faiz and Harivansh Rai Bachchan. Next, Los Calchakis from Argentina introduced Andean folk sounds, and Mumbai-based indie music collective, The Western Ghats, blended indie-folk with pop, rock and electronic music. The evening had Faridkot singing Punjabi folk-rock, and KAIA, an all-girl group from Philippines, performing a mix of originals and popular hits. The festival ended on a high note with Shaan’s Bollywood set. “There’s something magical about singing under the open sky, with people coming together purely for the love of music. This event brings such a beautiful mix of sounds and cultures, and I’m already looking forward to coming back!” he concluded.

A freelance writer based in New Delhi, Neha Kirpal writes primarily on books, music, films, theatre and travel.

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