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Shera, Morchang and Sadak: Watching short films at Dharamshala International Film Festival

Dispatches from the Shorts for Young Adults 1 section at the Dharamshala International Film Festival, where three wonderful films were screened.

Published on: Nov 8, 2023, 21:56:37 IST
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At the morning screening for the Shorts for Young Adults section at Dharamshala International Film Festival, the first two rows of seats were reserved for the local kids. For the multiple unsuspecting attendees who hopped onto the reseved seats, volunteers gently advised them to grab a seat behind instead. The kids arrived shortly around 10:30 AM, dressed in their school uniform, somewhat surprised. The youngest of them was a girl, who sat with her mother, who informed her of what was happening on screen. For the words moved too fast, and the language(s) not really known. Two of the short films were in Kumaoni - Arun Fulara's Shera, and Daanish Shastri's Sadak, and the other in Rajasthani- Chandradeep Singh Rathore's Morchang. (Also read: Fallen Leaves review: Aki Kaurismäki delivers a compact, life-affirming triumph in one of the finest films of the year)

Posters of Shera, Morchang and Sadak.
Posters of Shera, Morchang and Sadak.

The first one to screen was Arun Fulara's short Shera. At the heart of this deeply moving film lies a leopard, whose lurking presence is the cause of trouble for the small Himalayan village. For Monu (Sagar Kumar) and Raju (Parth Panday) , the two young childhood friends who run about and listen to the myriad of stories related to the leopard, curiosity has reached an all time high. But it is Monu's family who is adamant to move out of the village and settle down in the city. Raju wants to hatch a perfect plan for both of them to catch the sight of Shera one last time. Capturing the bittersweet innocence of childhood, filled with wonder and joy and heartbreak, Shera is underlined with stunning sound design by Devraj Bhaumik and Rangoli Agarwal's effective camerawork.

The last, and undoubtedly the one that generated an enthusiastic response was Daanish Shastri's Sadak. The director, who was also present in the QnA session afterwards, revealed that the child actors in the film came up with their own imaginary stories of revenge during workshops. Sadak revolves around a bunch of local kids who hatch a plan to teach a lesson to the superstitious, fraudulent contractor. Responsible for the construction of a pukka road, he saves half the government money in his pocket. The roads do not even last for six months. What a delicious and entertaining film Shastri has made, hiding a furious core underneath.

There was something special about watching these films along with a young audience, to witness new ideas and images pouring down from the screen like a dream. Too often, contradiction takes the place of curiosity, anger arriving in place of intrigue. Shera, Morchang and Sadak offered beautiful reminders that beauty can exist alongside danger, that ideas never really age. There's also magic left somewhere hidden in plain sight, in stories and conversations- if only one's looking. At Dharamshala, you might miss a movie or two because of the tight schedule, but there's no missing these little moments of truth.

Santanu Das is covering the 12th Dharamshala International Film Festival as part of the accredited media.

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ABOUT THE AUTHOR
Santanu Das

Santanu Das is a Senior Content Producer at Hindustan Times with over 5 years of experience, writing on films, pop culture and film festivals. He has a keen interest in writing about South Asian independent films and has covered several film festivals, including Sundance and CPH: Docx. He also brings a sharp perspective to the monthly column called The Fault in Our Stars, where he writes about a recent film/series and what stops the ‘good’ from becoming ‘great’. A gold medalist from Banaras Hindu University, Santanu completed his postgraduate studies in English from Jadavpur University. He is also a Rotten Tomatoes-certified film critic. When not watching films or speaking to celebrities, Santanu can be found reading a book. Some of his favourite films are Aparajito, Ponyo and The Double Life of Veronique. His favourite books include The Corrections, The God of Small Things and A Room of One's Own. Santanu continues to write passionately about films and celebrity culture. He brings a relatable, as well as critically informed, lens to entertainment and culture for a wide audience. Find him on LinkedIn: santanudasfilm Instagram: @santupecha

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