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Hansal Mehta opens up about the possibility of re-releasing his films: It is expensive…

With the recent rise in the number of re-releases, would Hansal Mehta also be interested in adopting that trend for his films? He answers

Published on: Nov 9, 2024, 18:37:35 IST
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Director Hansal Mehta’s latest film, The Buckingham Murders, which garnered positive reviews but struggled at the box office, drops on OTT today. This isn't the first time Hansal Mehta’s work has faced a similar fate; his previous films, like Aligarh (2015) and Shahid (2012), were critically acclaimed but failed to achieve commercial success. However, these films went on to find a second life on OTT platforms, where they were appreciated by a wider audience.

Hansal Mehta
Hansal Mehta

Also read: The Buckingham Murders OTT release: When and where to watch Kareena Kapoor, Hansal Mehta's investigative thriller

With the recent rise in the number of old films hitting the theatres again, and finding takers, would Mehta also be interested in adopting that trend for his films? “If you have to do it, you should do it correctly. Re-releasing a film is an expensive process. I don’t have the money to do it,” he makes it clear.

Mehta is also busy with the postproduction of his ambitious show Gandhi, starring Pratik Gandhi. “I can’t say much about it, but the shoot has wrapped up; it has shaped well,” he ends.

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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