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Prada reconnects with the seasons for its 2024-25 fall-winter menswear collection

Published on: Jan 15, 2024, 10:24:47 IST
Models wear creations part of the men's Prada Fall-Winter 2024-2025 collection, that was presented in Milan, Italy, Sunday, Jan. 14, 2024. (AP Photo/Luca Bruno). (AP)
Models wear creations part of the men's Prada Fall-Winter 2024-2025 collection, that was presented in Milan, Italy, Sunday, Jan. 14, 2024. (AP Photo/Luca Bruno). (AP)
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The new Prada collection, unveiled during Milan Fashion Week menswear previews Sunday, marked “the return of the seasons,’’ as a point of renewal of the spirit.

Prada brought nature indoors as a backdrop for its 2024-25 fall and winter menswear collection meant to get humans outside. Underfoot, beneath a plexiglass floor in the Prada showroom revamped for the new season, a man-made stream murmured over rocks and rustled leaves. Poised above, the fashion crowd sat on blue office chairs arranged to form a swirling runway. So the stage was set to explore the tension between the natural and working worlds.

(Also Read | Paris Fashion Week showcases top-end labels and relentless menswear fashion calendar)

The new Prada collection, unveiled on the third day of Milan Fashion Week menswear previews Sunday, marked “the return of the seasons,’’ as a point of renewal of the spirit, co-creative director Miuccia Prada said backstage.

Without falling into strict categories of office wear and outdoor wear, Prada said that the collection “was meant for going outside,” and spending time there, not just as a point of transit.

That means uncinched raincoats, double-breasted or zipped, structured with epaulettes, and knit bathing caps or tight ribbed hoods to protect against the elements. It also meant athletic textured leggings paired with turtlenecks in contrasting bright shades.

A sleek leather peacoat with furry collar and a captain's cap gave a mariner's accent, one of many references in a show that veered to Wall Street, and revisited details and silhouettes from the 1920s to the 1960s.

“We wanted to change and challenge the architecture of clothing,” Simons said.

For the office, ties were back, worn over two-tone shirts with white colours. Jackets had important proportions. Leather belts on trousers were sewn in, replacing waistbands, and cinched on the hip: pretty weaves, or plain and sloping. Tweed offered texture, knitwear brightness, with twinsets providing contrasting color stories in fire engine red and turquois, olive and salmon.

“I feel the need of being attached to something so basic for human nature, like the seasons, like outside. So that the clothes relate with the outside, with the weather, with reality,” Prada said.

Always political, the Prada collection references climate change, but without being explicit.

“It is too big to go there," Prada said.

“We wanted to talk about something relevant, because in these moments you cannot avoid to talk about subjects that are relevant. For instance, weather,’’ she said.

Actors Jake Gyllenhaal and James McAvoy had front-row seats. But the crowds of adoring fans waiting outside were for K-pop VIPs.

This story has been published from a wire agency feed without modifications to the text.
 
ABOUT THE AUTHOR
Krishna Pallavi Priya

Krishna Priya Pallavi is a journalist with over 9 years of experience, covering health, fashion, pop culture, travel, wellness, entertainment, festivals, mental health, art, decor, fitness, and sex and relationships. She is an alumna of the Indian Institute of Mass Communication (IIMC), Dhenkanal, and holds an undergraduate degree in Journalism and Mass Communication from Guru Gobind Singh Indraprastha University, Delhi. Her strong academic foundation informs her analytical and detail-oriented approach to storytelling, helping her uncover stories where none seem to exist. Before joining Hindustan Times, Pallavi worked with some of India’s leading media organisations. She spent close to three years at India Today, where she honed her newsroom skills and developed a sharp editorial sensibility. She also worked for over a year and a half at Vagabomb, ScoopWhoop’s feminist digital platform, where she explored stories through a gender-sensitive, socially aware lens. Pallavi has a deep interest in global fashion trends and international fashion seasons, and enjoys interviewing celebrities and tracking pop culture movements—interests that frequently translate into engaging, reader-friendly stories. Alongside lifestyle and entertainment, she has a keen eye for impactful health and wellness journalism, regularly interacting with doctors, designers, and digital content creators to bring nuance and credibility to her work. Born and raised in Haryana, Pallavi remains deeply connected to her ancestral roots in Odisha. Her ability to spot fresh angles brings curiosity and depth to stories she pursues. When not chasing deadlines, she enjoys spending time with her dog, planning her next vacation, reading, running new trails, and discovering new destinations.

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