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Depicting India’s football dilemma

Updated on: Jul 4, 2010, 03:24:24 IST
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Artist Riyas Komu’s latest show questions India’s absence at the World Cup.

A crumbling concrete wall topped with goal posts divides an Indian art gallery. On one side, there are 126 iron footballs in glass cases; on the other, the low-pitched drone of vuvuzelas and a cheering crowd.

Getting from one side of the sparse Mumbai warehouse gallery to another is a challenge. Visitors have to squeeze through a low, narrow opening in the wall to see the best footballers perform in the World Cup on a big screen. But that is the point of installation artist Riyas Komu’s work, Subrato to Cesar. The title of the show refers to India goalkeeper, Subrato Paul, and Brazil’s number one, Júlio César. “The title signifies the movement from the local players — at home (like Subrato Paul, India’s No. 1 keeper) to the global brands (like César),” says Komu.

“One is completely obscure, the other completely famous,” explains Abhay Maskara, curatorial director of Gallery Maskara. Maskara is currently in South Africa documenting the tournament. “The exhibition shows the distance, the divide between the way the Indian players are treated as opposed to international players,” he adds.

 
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