I appeal to film producers, distributors and individual collectors to come forward and submit films as well as film publicity material for preservation, to safeguard our cinematic heritage, said Prakash Magdum, director, NFAI. (HT PHOTO)
I appeal to film producers, distributors and individual collectors to come forward and submit films as well as film publicity material for preservation, to safeguard our cinematic heritage, said Prakash Magdum, director, NFAI. (HT PHOTO)

NFAI acquires treasure-trove of Marathi cinema including rare films ‘Pavanakathacha Dhondi’ and ‘Tai Teleen’

Most of the films acquired belong to the golden age of Marathi cinema from the 1950s to the 70s and there are some important Hindi films as well in the collection
By HT Correspondent
UPDATED ON MAR 29, 2021 04:31 PM IST

In one of the major acquisitions, the National Film Archive of India (NFAI) has added 89 film prints in the 16mm and 35mm format to its collection. Most of the films acquired belong to the golden age of Marathi cinema from the 1950s to the 70s and there are some important Hindi films as well in the collection. With 23 black and white films, this is a significant acquisition of the old era of Indian cinema.

The highlight of the collection is two rare Marathi films ‘Tai Teleen’ (1953) and ‘Pavanakathcha Dhondi’ (1966), which were considered to be lost.

‘Tai Teleen’ is a historical film made by Aaryan Film Company starring well-known artists like Shanta Apte, Sudha Apte, Nalini Borkar and Zuzarrao Pawar. Directed by KP Bhave and Anto Narhari, the music was composed by Master Krishnarao.

Another major film considered to be lost till now, Anant Thakur’s ‘Pavanakathcha Dhondi’ had won the Best Marathi Film in National Film Award in 1966, the 14th edition of the award. Thakur had earlier directed Raj Kapoor starrer Chori Chori in 1956 and this was his first film as a director in Marathi. The film, produced by Usha Mangeshkar under the Shri Mahalakshmi Chitra banner, starred renowned Marathi stars Jayashree Gadkar, Chandrakant and Suryakant in the leading roles. It was one of the rare instances where real-life brothers Chandrakant and Suryakant played brothers on- screen.

As part of NFAI’s aural history project, Suryakant had reminisced that it was an emotional moment for both of them to share screen space as siblings. The film was based on the popular novel by writer GN Dandekar and the music of the film was composed by Hridaynatah Mangeshkar.

Another highlight of the collection is a Ram Gabale film ‘Dev Pavala’ (1950). The film starring Damuanna Malavankar and Vishnupant Jog was shot in the iconic Prabhat Studio in Pune.

“We are delighted to receive this significant collection of films belonging to the golden era of Marathi cinema and a few well-known Hindi films. The exciting thing is there are few rare films including Tai Telin (1953) and Pavanakathcha Dhondi (1966) which were believed to be lost, but now they are part of NFAI,” said Prakash Magdum, director, NFAI.

The other notable Marathi films are ‘Rajan Kumar’s Bhaubejj’ (1955), Madhav Shinde’s ‘Antaricha Deeva’ (1960), Datta Dharmadhikari’s ‘Subhadraharan’ (1963), Vasant Painter’s ‘Bara Varshe Saha Mahine Teen Divas’ (1967), Raj Dutt’s ‘Dhakti Bahin’ (1970), Keshav Toro’s ‘Pudhari’ (1972), Govind Kulkarni’s ‘Banya Bapu’ (1977), Raja Bargir’s Deed ‘Shahane’ (1979), Susheel Gajwani’s ‘Rakhandar’ (1982), and Kanchan Nayak’s ‘Kalat Nakalat’ (1989).

The collection also includes films by some key Marathi filmmakers such as Bhalji Pendharkar’s ‘Sadhi Manse’ (1965), Raja Thakur’s ‘Rajmanya Rajashri’ (1959), ‘Ekti‘ (1968) and ‘Gharkul’ (1970), and Ramesh Deo’s ‘Chhand Priticha’ (1968) and ‘Jeeva Sakha’ (1991).

Along with the majority of Marathi films, the collection also consists few significant Hindi films such as Shakti Samanta’s black & white venture ‘Naughty Boy’ (1962) with Kishore Kumar as the Hero, Mohan Kumar’s ‘Aman’ (1967), which features rare cameo appearances by Ghazal maestro Jagjit Singh and British Nobel laureate Bertrand Russell.

Other notable titles include Guest House (1959) by Ravindra Dave, ‘Taj Mahal’ (1963) by M Sadiq, ‘Shikari’ (1963) by Muhammed Hussain, ‘Do Yaar’ (1972) by Kewal Mishra, and Uttam Kumar starrer ‘Bandie’ (1978) directed by Alo Sarkar.

“I take this opportunity to appeal to film producers, distributors and individual collectors to come forward and submit films as well as film publicity material for preservation, to safeguard our cinematic heritage,” said Magdum.

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