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Punekars rejoice as Diwali “pahats” set to return

After Covid-19 forced a two-year break, Pune’s 24-year-old “Diwali pahat” tradition will be back this year, albeit with 50% attendance

Published on: Oct 29, 2021 12:46 AM IST
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PUNE: After Covid-19 forced a two-year break, Pune’s 24-year-old “Diwali pahat” tradition will be back this year, albeit with 50% attendance. Both performers and audiences are eagerly awaiting the return of these customary early morning cultural events during Diwali however auditoriums and theatres will have to follow the Covid-19 protocol of 50% capacity as per state government guidelines.

With Diwali just a few days away, colourful lanterns and stars are up for sale at Sane Guruji nagar, Sadashiv peth. After Covid-19 forced a two-year break, Pune’s 24-year-old “Diwali pahat” tradition will be back this year, albeit with 50% attendance. (HT)
With Diwali just a few days away, colourful lanterns and stars are up for sale at Sane Guruji nagar, Sadashiv peth. After Covid-19 forced a two-year break, Pune’s 24-year-old “Diwali pahat” tradition will be back this year, albeit with 50% attendance. (HT)

Still, several programme organisers have announced Diwali pahat functions from November 1 to 6 at Balgandharva Rang Mandir, Yeshwantrao Chavan Natyagruha and Ganesh Kala Krida Sankul in the city.

Satish Desai, one of the oldest organisers of Diwali pahat, said, “We are happy to hold an actual event and the audience response to the announcement has been enthusiastic. We are going to have gayan (singing) by Hindustani classical singer Rahul Deshpande and despite the government guidelines of 50% capacity, we are looking at a full house.”

Sunil Mahajan, another organiser of Diwali pahat, will hold a unique event on November 5 at ShivShrushti. “I have planned an entire event to showcase the historical moments during the Chhatrapati Shivaji era, complete with Mavalas, Mardani khel etc.,” Mahajan said.

Singer Salil Kulkarni is performing at Yeshwantrao Chavan Natyagruha on November 6 (6.30am). “I realised what missing a live audience feels like. The claps, overtures and happiness on their faces as they immerse themselves in the music is such a joy to watch. The only sad part is that people in the audience will be sitting in alternate chairs. This is unlike the usual ambience of sitting close and exchanging notes during the performance. I am waiting for the 100% capacity announcement from the government for it is a blessing to have a full house resounding with applause.”

 
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