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Dhurandhar is one of India's most profitable films ever with 400 crore profit: How Ranveer film beat RRR, KGF, Pathaan

Dhurandhar has registered a profit of around ₹400 crore through its theatrical and non-theatrical business.

Updated on: Feb 5, 2026, 13:48:58 IST
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Aditya Dhar’s Dhurandhar has been one of the biggest hits of Hindi film history, grossing over 1300 crore worldwide. The film has broken several box office records, and set its sequel up for a massive opening. In the process, it has also registered one of the biggest profits ever earned by an Indian film, dwarfing even pan-India hits like RRR and KGF Chapter 2, and Bollywood blockbusters such as Animal.

Dhurandhar’s stupendous profit

Dhurandhar: Ranveer Singh plays a spy named Hamza in the film.
Dhurandhar: Ranveer Singh plays a spy named Hamza in the film.

Dhurandhar was originally supposed to be a long, single film. But weeks before its release, director Aditya Dhar and the producers decided to split it into two parts. The decision was taken as Aditya was unable to cut the film’s runtime to below six hours, making it ripe for a two-part release. That worked in Dhurandhar’s favour, allowing it to earn twice as much. But it was a risk, too, since the second part would only have been saleable if the first had worked. But the first part did work, and worked stupendously.

Dhurandhar grossed 1004 crore in India and $33 million overseas. Of this, the producer’s share is around 360 crore from the Indian box office and around $15 million from overseas. In addition, the film earned from its non-theatrical rights. Pinkvilla has reported that the film earned 140 crore from its digital, satellite, and music rights. This means that Dhurandhar’s total recovery from the two sources touched almost 650 crore. The film’s production budget was 400 crore, but is now split over two films. Added marketing costs bring Dhurandhar Part 1's landing cost to around 250 crore. Dhurandhar’s profit stands at a healthy 400 crore, one of the highest-ever for any Indian film.

Dhurandhar dwarfs mega blockbusters

Profits of major Indian films (trade estimates)
FilmLanding costRecoveryProfit
Baahubali 2 300 crore 950 crore 650 crore
Pushpa 2 500 crore 1100 crore 600 crore
Jawan 350 crore 780 crore 430 crore
Dhurandhar 250 crore 650 crore 400 crore
KGF Chapter 2 250 crore 600 crore 350 crore
Pathaan 270 crore 600 crore 330 crore
RRR 550 crore 800 crore 250 crore
Animal 200 crore 450 crore 250 crore
Kalki 2898 AD 600 crore 750 crore 150 crore
View All

Dhurandhar has also surpassed some pan-India hits, including SS Rajamouli’s RRR, which earned over 250 crore in profit, the same as Yash’s KGF Chapter 2. Nag Ashwin’s Kalki 2898 AD is estimated to have incurred a profit of just over 150 crore. KGF 2 had low profits despite strong box-office returns, due to relatively low non-theatrical earnings. On the other hand, both RRR and Kalki earned substantial non-theatrical rights revenue, but their profits were offset by their exorbitant budgets. Both films cost over 550 crore each.

Dhurandhar’s 400 crore profit is not the highest ever for Indian cinema, though. Both Baahubali 2 and Pushpa 2 rule the roost with profits of over 600 crore each.

All about Dhurandhar

Directed by Aditya Dhar, Dhurandhar starred Ranveer Singh as an Indian spy in Pakistan. The film also stars Akshaye Khanna, R Madhavan, Arjun Rampal, and Sanjay Dutt. The sequel - Dhurandhar: The Revenge - releases in theatres on March 19.

 
ABOUT THE AUTHOR
Abhimanyu Mathur

Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.

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