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Kanika Dhillon says even superstars can't guarantee footfalls today in theatres: 'Nobody knows what's working'

Haseen Dilruba and Manmarziyaan writer Kanika Dhillon spoke about what is ailing the Hindi film industry currently.

Updated on: Feb 15, 2025, 10:23:08 IST
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It is no secret that the Hindi film industry is experiencing a period of flux. Most big films are not working at the box office. Films consistently fail and turn in losses, sometimes even those featuring the usually bankable stars. At a recent event, screenwriter-producer Kanika Dhillon said the way to beat it is edgier, daring, and original storytelling. (Also read: Stree 2 writer Niren Bhatt slams remake culture in Bollywood: ‘Out of 25 remakes post-pandemic, 23 are flops’)

Kanika Dhillon speaks at Indian Screenwriters Conference (ISC) in Mumbai on February 14, 2025.
Kanika Dhillon speaks at Indian Screenwriters Conference (ISC) in Mumbai on February 14, 2025.

Kanika Dhillon on what ails Bollywood

On Friday, Kanika took the stage at the 7th edition of the Indian Screenwriters Conference (ISC) hosted by the Screenwriters Association of India (SWA). Kanika, writer of Manmarziyaan, Kedarnath, Judgementall Hai Kya to the Haseen Dillruba franchise, said, "When I came in it was a star-driven system. The business would dictate what would be made and what not. That understanding has gone for a toss because now even a superstar cannot guarantee footfall in a theatre. Now, the fee structure is breaking. We're in a content-driven business. We're not making enough films. Nobody knows what's working, and the audience is asking for more."

Talking about how change can be seen in this setup, she added, "I would like to see the glass half full. The grammar of the industry is changing..."The horse is before the cart; in this business, it is storytelling. That way, it is a good time for storytellers, but originality in this day and age will save you."

About the Indian Screenwriters Conference

Kanika's statements came in a session titled 'The Mainstream Reality', where she was joined by Pathaan dialogue writer Abbas Tyrewala, Maddock Horror Comedy Universe writer Niren Bhatt and Bhool Bhulaiyaa 2 writer Aakash Kaushik. The session was moderated by Hitesh Kewalya, writer of Shubh Mangal Zyada Saavdhan.

The ISC concludes on Sunday, and will see screenwriters and creators including Kiran Rao, Shoojit Sarkar, Nikkhil Advani, Dibakar Banerjee, Biswapati Sarkar, and Anand Tiwari sharing their experiences.

  • Abhimanyu Mathur
    ABOUT THE AUTHOR
    Abhimanyu Mathur

    Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.Read More

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