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Made by 'amateur' crew with newcomers, this 1959 movie is Letterboxd's top Indian film; beat RRR, 3 Idiots, Meiyazhagan

Letterboxd's list of top 500 films includes just 9 Indian titles, with an acclaimed 1959 release being the highest-rated.

Feb 27, 2026 04:42 pm IST
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This Wednesday, film cataloguing social platform Letterboxd updated its list of top 500 films of all time, based on user ratings. Over the years, Letterboxd has carved out a niche as a repository of user-generated film reviews, establishing credibility. Therefore, the list is seen as the West's best films of all time. And while the list is dominated by Hollywood and Japanese films, Indian cinema finds a place too, with nine films from various Indian industries featured. At the top is a classic that has been mentioned in most critics' and publications’ lists of the top films.

Letterboxd’s top Indian film

Young Sharmila Tagore and Soumitra Chatterjee in Apur Sansar. The film marked both actors' debut.

The top Indian film on Letterboxd is Apur Sansar, Satyajit Ray’s masterful conclusion of the Apu trilogy, which also includes Pather Panchali and Aparajito. The other two films also make the list. But it's Apur Sansar that is the highest-ranked Indian film in the list at number 93. Apu Trilogy is widely regarded as one of the greatest film trilogies ever, and was mentioned by Time magazine as one of the 100 films to see before dying in a seminal list two decades ago. Only two other Indian films - Mother India and Nayakan - made that list.

About Apur Sansar

Satyajit Ray is widely regarded as the finest Indian filmmaker ever. But when he began work on the Apu Trilogy in 1950, he was just a 28-year-old visual artist working in a press. Pather Panchali, the first film of the trilogy, was his directorial debut. Ray employed non-professional actors and an almost entirely amateur crew. He repeated his crew in the sequels Aparajito and Apur Sansar. The third film began production in 1958 when Ray and the crew had gained some experience, but were still all ‘amateurs’ in the true sense of the word.

There are 8 Indian films in the Letterboxd list apart from Apur Sansar. The top 300 includes the other 2 from the Apu trilogy - Pather Panchali at 139 and Aparajito at 211. The list also includes Malayalam films Meiyazhagan (310) and Kumbalangi Nights (357); SS Rajamouli’s blockbuster RRR (324); Anurag Kashyap’s cult film Gangs of Wasseypur 2 (339); Aamir Khan’s 3 Idiots (479); and Vidhu Vinod Chopra’s 12th Fail (496).

Many Indian fans expressed disappointment at only 9 Indian films making it to the list of 500, even though India is the highest film-producing country in the world. Notable omissions, as per social media users, include Kamal Haasan’s Nayakan, Mehboob Khan’s Mother India, and all films by Guru Dutt.

How the list was chosen

Letterboxd listed the criteria required for a film to be in the top 500. It mentions that films must be feature-length (more than 40 minutes long) with a festival premiere, theatrical distribution or professional streaming release. All documentaries, TV shows, recuts, or plays are excluded, but TV movies are included. But most importantly, a film must have received a minimum of 25000 ratings on Letterboxd to be eligible. This ruled out many Indian classics.

 
ABOUT THE AUTHOR
Abhimanyu Mathur

Abhimanyu Mathur is Deputy Editor, Entertainment at Hindustan Times. With almost 15 years of experience in writing about everything from films and TV shows to cricket matches and elections, he inhales and exhales pop culture and news. Currently, he watches movies and TV shows and talks to celebrities for a living, while occasionally writing about them as well. A journalism graduate of Delhi College of Arts and Commerce, Delhi University, Abhimanyu began his career with Hindustan Times at the age of 20, swapping classrooms for newsrooms at an early age. He began his journey in the early days of digital journalism, later switching to the madness of print journalism. Work has led him to far off places like Japan and Jordan, as well as to the interiors of Haryana and the Indo-Pak border. He dabbled in city reporting in places like Meerut, Gurgaon, and Delhi, covered the Olympics and Cricket World Cups, before finding his calling in entertainment and lifestyle during the pandemic. A Rotten Tomatoes Certified Film Critic, he is equally at home covering stories on ground as he is interviewing celebrities and studios, and sometimes prefers to shepherd teams in delivering traffic through the day. Even as his role has evolved from reporter to supervisor over the years, his first love remains writing (and of late, talking on camera). With a good understanding of cinema and its trends, and a keen eye for detail, he continues to spark conversations around showbiz for readers around the world.

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