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Rasika Dugal on OTT’s play/pause culture: If a story is compelling, people will watch it

Delhi Crime actor Rasika Dugal believes if you’re true to your work, no gimmicks are needed to get the viewers hooked.

Updated on: Aug 25, 2023, 11:38:04 IST
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Along with a comfortable viewing experience, what OTT has also given rise to is the play/pause culture, where a viewer can move on from a project if they don’t enjoy it, unlike a theatrical release, where they might wait, having paid for the ticket. Does actor Rasika Dugal, who has starred in web projects such as Mirzapur, Delhi Crime and Adhoora, find OTT a tougher medium to crack? “That is a pressure people from marketing or content heads from the platforms face. As a creative person, I don’t feel that pressure,” says the 38-year-old.

Rasika Dugal
Rasika Dugal

She adds, “I believe if a story is compelling and you have told it well, the audience will appreciate it. I don’t feel that pehle episode mein kuchh dhamakedaar hona zaruri hai audience ko rokne ke liye. I have the pressure to perform and my job is to be present in the moment to do my work as an actor, to the best of my ability.”

Dugal believes that if you’re true to your work, no gimmicks are needed to get the viewers hooked. Talking about sensationalism, she adds, “A show like Delhi Crime was not sensational at all. The Family Man was a well-told story and the audience stuck to it. But I like the idea that the audience has control and can move away if they don’t like something. That’s fair.”

 
ABOUT THE AUTHOR
Rishabh Suri

Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.

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Get more updates from Bollywood, Taylor Swift, Hollywood, Music and Web Series along with Latest Entertainment News at Hindustan Times.
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