Shah Rukh Khan's palatial bungalow in Mumbai, Mannat once was the hub of all big Bollywood celebrations. But post Covid, the superstar has cut down on the number, and even more so after he temporarily has shifted to another house: reason being Mannat's renovation.
HT City brings a sad update for fans who were hoping that the actor will throw his famous Diwali bash at his new abode, which also happens to be producer-actor Jackky Bhagnani's residential building. Shah Rukh's manager Pooja Dadlani confirms to us that he will not be throwing a party this year as well.
In the past, SRK would invite friends and family over to Mannat for celebrating the festival of lights.
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Similarly, another popular Diwali bash in Bollywood will be given a miss this year- the one hosted by actor Ayushmann Khurrana and wife Tahira Kashyap Khurana. A source confirms to HT City that the couple has decided to not host one as Ayushmann's first Diwali release Thamma has all his attention.
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Similarly, another popular Diwali bash in Bollywood will be given a miss this year- the one hosted by actor Ayushmann Khurrana and wife Tahira Kashyap Khurana. A source confirms to HT City that the couple has decided to not host one as Ayushmann's first Diwali release Thamma has all his attention.
Rishabh Suri is an Assistant Editor, film critic, and professional overthinker of plot points. He writes for HT City, keeping pace with an industry where news cycles expire long before the popcorn gets cold. He completed his graduation in English Honours from Kirori Mal College, followed by a Master’s degree in English Literature-effectively training his brain to over-analyse classic texts before applying those exact same skills to 3-hour Bollywood blockbusters. He got into the profession when he had barely graduated from college and has been at HT ever since. At HT, Rishabh reviews films with a simple rule: skip the dense academic jargon and get straight to the point. Beyond reviews, as Assistant Editor, he helps navigate the broader circus of showbiz, tracking everything from OTT shifts to sudden box office panics. In a beat driven by loud PR machinery and carefully scripted answers, Rishabh prefers cutting through the noise to focus on how stories get made and why trends shift. When he isn’t writing against a deadline, he is usually sitting in a dark theater, compulsively memorising dialogues. For Rishabh, analysing movies isn't just a day job- it’s a habit he couldn't turn off even if he tried.
