In September 1952, the 15-year-old All India Radio got into a spot of trouble with some musical greats. Ustaad Shakoor Khan, a disciple of the great Ustad Abdul Waheed Khan and a remarkable Sarangi player himself, was asked to audition as part of the state-run radio service’s new policy that spanned 400 musicians. What’s worse, he reportedly failed.
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Within months, protests against the procedure spread across the country as musicians felt slighted. Maestros such as sitarist Ustad Vilayat Hussain Khan,
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