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Hitting some minor chords

In 1937, the Congress Working Committee, after Muslims objected to certain parts of Vande Mataram, decided that only the first two stanzas would be sung.

Published on: Aug 23, 2006 02:34 AM IST
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There are two issues concerning the latest harrumphfest being conducted over India’s national song, Vande Mataram. One, is Vande Mataram a ‘religious’ song pertaining to Hindu nationalism? Two, should nation-building exercises include the mandatory singing of the song? Vande Mataram was written in 1875 by Bankimchandra Chattopadhyay in response to the prevailing pressures of the administration to impose God Save the King as British India’s national anthem. The depiction of India as a Mother Goddess — in his novel, Anandamath, in which the ‘poem’ was incorporated in 1882, clearly linked her to Kali — was, in historian RC Majumdar’s words, the conversion of “patriotism into religion and religion into patriotism”.

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HT Image

Considering that Indian society blurs its cultural references with those of faith, the personification of a ‘religious’ Mother India (whether in calendar art or in rousing songs) isn’t as shockingly un-secular as it may seem to outsiders (or to those who’d rather highlight the ‘communal’ element in it). Mahatma Gandhi, a secular man if there was one, wanted Vande Mataram to be the national anthem of free India. In the Indian National Congress convention in 1896, Rabindranath Tagore sang Vande Mataram when the British banned it. It is true that Chattopadhyay’s Anandamath was a historical novel that glorified Hindu rebellion against ‘tyrannical’ Muslim rule in the 18th century. But by the 1905 Partition of Bengal, the song had taken on nationalistic, anti-British colours. In 1937, the Congress Working Committee, after Muslims objected to certain parts of the song, decided that only the first two stanzas (leaving out references to Durga and Lakshmi) would be sung — not unlike the excision of contentious lines from Iqbal’s Sare Jahan Se Acchha. So even if Vande Mataram stems from a ‘Hindu’ ancestry, it is no longer anything but a pan-Indian song and should be seen as that — as underlined by the tremendous popularity of its 1997 version by AR Rahman.

 
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